Provo a chiedere qui dove probabilmente molti di voi sono interessati all'argomento. Siete a conoscenza di buone risorse, in Italiano o in Inglese, per imparare a riportare dati non finanziari secondo la direttiva UE CSRD per il reporting non-finanziario (incluso ambientale) in ambito EEA?
Sono alla ricerca di corsi, tutorial e altri materiali VERAMENTE informativi. Cercando online ho solo trovato una pletora di articoli scritti con ChatGPT che non vanno a parare da nessuna parte.
A team of Cornell computer science researchers has developed a way to “watermark” light in videos, which they can use to detect if video is fake or has been manipulated, another potential tool in the fight against misinformation.
The U.S. Federal Trade Commission sued ticket reseller Key Investment Group for evading purchasing limits to buy up thousands of tickets to live events including Taylor Swift's Eras tour and resell them at a markup, according to a complaint filed in Maryland federal court on Monday.
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Dame Rachel de Souza warns it is ‘absolutely a loophole that needs closing’ as new report finds proportion of children who report accessing pornography online has increased over last two years
Syrian media reported on Monday that Israeli forces carried out a raid inside the village of Ain Ziwan in southern Quneitra countryside, searching several civilian homes.
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The Norwegian sovereign wealth fund, the largest in the world, said on Monday that it has decided to exclude six Israeli companies from its investment portfolio.
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Trudeau started using this vague section to bypass legislating but Carney is doubling down on it. And Carney only won because of Trump's direct attacks on Canada's sovereignty. And even on that front he is failing. He's acting like US bitch and at the same time trying to pass massive surveillance laws akin to US FISA to share the data with the US.
U.S. President Donald Trump has interrupted his talks in Washington with European leaders to call Russian President Vladimir Putin, an EU diplomat told Reuters on Monday.
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Japan's first osmotic power plant that uses the difference in salt concentration between seawater and fresh water to generate electricity began operations in early August in a southwestern prefecture.
The details of property developer Amir Abu Abara's lengthy court case can only now be revealed — five years after he illegally cleared land at Barden Ridge in Sydney's south.
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Frustrated by rising subscription costs and fragmented content availability, viewers worldwide are returning to piracy at unprecedented levels, reversing years of progress made by affordable streaming services. Recent data from London-based monitoring firm MUSO shows piracy visits skyrocketed from 130 billion in 2020 to 216 billion by 2024, with the industry facing projected losses exceeding $113 billion.
Subscription Fatigue Drives Digital Exodus
The streaming landscape has transformed from Netflix's early promise of "everything in one place" into what critics call "Cable 2.0"—a fractured ecosystem requiring multiple subscriptions. According to The Guardian, the average European household now spends close to €700 annually on three or more video-on-demand subscriptions. With Netflix's standard plan reaching $15.49 monthly and competitors following suit, consumers are increasingly viewing piracy as a rational alternative.
"Piracy is not a pricing issue, it's a service issue," Valve co-founder Gabe Newell observed in 2011—a prediction that appears prophetic as streaming platforms struggle with content fragmentation and rising prices. In Sweden, birthplace of both Spotify and The Pirate Bay, 25% of people surveyed admitted to pirating content in 2024, predominantly driven by those aged 15 to 24.
Content Wars Create Consumer Casualties
The fragmentation crisis has worsened as studios create exclusive content silos. Viewers face scenarios where favorite shows vanish from one platform only to appear on another, or require separate purchases despite existing subscriptions. Even purchased content can become unavailable due to licensing disputes, prompting consumer lawsuits against platforms like Amazon Prime Video.
MUSO data reveals that unlicensed streaming now accounts for 96% of all TV and film piracy, representing a fundamental shift in how content theft occurs. Modern pirates leverage sophisticated tools including AI-driven search engines and encrypted networks that adapt faster than anti-piracy measures can respond.
Industry Scrambles for Solutions
Streaming executives are experimenting with bundled offerings and cracking down on password sharing, but these measures often backfire by further alienating users. According to Antenna research, one-quarter of U.S. streamers are "chronic churners," frequently canceling subscriptions due to cost and frustration.
The resurgence marks a stark reversal from the mid-2010s when convenient, affordable streaming services nearly eliminated piracy. As one industry analyst noted, studios have created "artificial scarcity in a digital world that promised abundance", suggesting that without addressing core affordability and access issues, the piracy revival may continue reshaping entertainment consumption patterns.
Frustrated by rising subscription costs and fragmented content availability, viewers worldwide are returning to piracy at unprecedented levels, reversing years of progress made by affordable streaming services. Recent data from London-based monitoring firm MUSO shows piracy visits skyrocketed from 130 billion in 2020 to 216 billion by 2024, with the industry facing projected losses exceeding $113 billion.
Subscription Fatigue Drives Digital Exodus
The streaming landscape has transformed from Netflix's early promise of "everything in one place" into what critics call "Cable 2.0"—a fractured ecosystem requiring multiple subscriptions. According to The Guardian, the average European household now spends close to €700 annually on three or more video-on-demand subscriptions. With Netflix's standard plan reaching $15.49 monthly and competitors following suit, consumers are increasingly viewing piracy as a rational alternative.
"Piracy is not a pricing issue, it's a service issue," Valve co-founder Gabe Newell observed in 2011—a prediction that appears prophetic as streaming platforms struggle with content fragmentation and rising prices. In Sweden, birthplace of both Spotify and The Pirate Bay, 25% of people surveyed admitted to pirating content in 2024, predominantly driven by those aged 15 to 24.
Content Wars Create Consumer Casualties
The fragmentation crisis has worsened as studios create exclusive content silos. Viewers face scenarios where favorite shows vanish from one platform only to appear on another, or require separate purchases despite existing subscriptions. Even purchased content can become unavailable due to licensing disputes, prompting consumer lawsuits against platforms like Amazon Prime Video.
MUSO data reveals that unlicensed streaming now accounts for 96% of all TV and film piracy, representing a fundamental shift in how content theft occurs. Modern pirates leverage sophisticated tools including AI-driven search engines and encrypted networks that adapt faster than anti-piracy measures can respond.
Industry Scrambles for Solutions
Streaming executives are experimenting with bundled offerings and cracking down on password sharing, but these measures often backfire by further alienating users. According to Antenna research, one-quarter of U.S. streamers are "chronic churners," frequently canceling subscriptions due to cost and frustration.
The resurgence marks a stark reversal from the mid-2010s when convenient, affordable streaming services nearly eliminated piracy. As one industry analyst noted, studios have created "artificial scarcity in a digital world that promised abundance", suggesting that without addressing core affordability and access issues, the piracy revival may continue reshaping entertainment consumption patterns.
Anything but solve the main issue: pirate sites offer a better service, with no stupid licensing problems, having everything on a single app and without geolocking bullshit.
When the pirate alternative it's not just cheaper but also way more convenient, it's no wonder they are losing customers.
That was my reason for cancelling. I can afford the service, but it better let me stream at full resolution through LibreWolf or I’m just gonna download the movies and shows.
I absolutely love rubbing it in the face of people subscribing to streaming services that I get more content without even having to enter in my credit card info.
If three or four people did that and shared their library with friends then they would have a massive catalog between them.
Legally, you are allowed to make backups of the media you own (in the US). If a group of friends got together and shared their media libraries, proving that only one person was accessing the media at a time, then there would be no issue.
I can literally pay for every service available in my area and still not watch everything (not to mention anything) I want. Geo-blocking as well as expired rights made me never want to pay for one of those overpriced services again as there is one option that's way more convenient, and by chance much cheaper too.
There’s just too many shit shows packaged along a few gems to make subscribing to the whole lot worthwhile.
And as a Canadian right now it feels downright patriotic to divert money from US-owned streaming companies who region-lock my purchases so I have to buy terrestrial cable to view them.
No mention of advertising in streaming services now? That was a big factor in making me shut of my subscriptions. The price increases made me cut back but the ads have made me turn them off. I'm not paying to watch commercials.
Yeah I was watching a show recently on Prime and now they are injecting 1min plus long ads like every 10-20 minutes. It's worse than watching cable tv.
There’s an easy solution to this. I pay for Apple Music because I get access to pretty much all the music I want. I can sideload what they don’t have, which isn’t much. They have better audio quality, and aren’t stiffing artists to pay some right wing nutjob science denier like the other streaming platform of note. I pay because I love music and want to support what I love. Why isn’t there a similar service for TV and movies? That’s the solution. Let us pay for what we love and make it easy. Apple figured it out with music. Valve figured it out with games.
I think they don’t want to solve the problem. I think they want to solve a different problem. I think they’re making this a problem so they can push legislation to protect their profits.
Absolutely. But to clarify, Apple Music pays more per stream than Spotify and others. Spotify trends to cut bigger checks to popular musicians because they have more subscribers.
Also — someone feel free to fact check this — I’ve heard that if, say, you put an album out on BandCamp but not streaming, and I buy it and sideload it into both services, and you later add it to both services, Spotify won’t pay you for my streams because I’m streaming the sideloaded copy whereas Apple will match it. I keep the metadata if it’s different but you’d get paid for the streams because it matches it.
Why isn’t there a similar service for TV and movies?
Because the Artists involved don't see the royalties in those industries. They've already been paid and the rights holders want to extract every drop of profit possible. and the sad truth is that splintering streaming worked for a very long time to this end.
Why isn’t there a similar service for TV and movies?
Because Steve Jobs died before he could hypnotize the executives into do it.
Only half kidding, people forget that's how we got all the music labels together, it was Apple iTunes Store which later became streaming.
There were a few weird awkward music stores but Apple did it better and this was early 2000's when their brand was barely recovering from near bankruptcy.
Netflix streaming didn't launch until 2007 and didn't really take off until 2011, the same year Jobs died.
Netflix was the only one that was positioned to do it but they couldn't pull it together because they didn't have the reality distortion field that Jobs had. Netflix had to push into original programming instead to survive and the brand has long since enshittified.
Can't help but wonder if whatever pitch Jobs used to sell record labels couldn't have been reworked to convince the movie studios.
Here’s what’s wild though. At first with music streaming it was largely just American, Western, popular music. I left Spotify for Apple Music because the latter had Japanese music and I was tired of sideloading it into Spotify. Now Spotify has Japanese music too.
The Japanese music market is super weird. Anime is to Japanese music in the 2010s and 2020s what MTV was to western music in the ‘80s and ‘90s. It’s the international hit maker. So anime is bringing western eyes to all this music, not you go in YouTube and a lot of them have “YouTube edition” videos that are like half the video. Because they don’t fully trust us I guess? Sometimes the video is on Apple Music though.
I know Japanese music is more expensive than ours. I mean like the cost of a CD. So when bands would release a Japanese album, they’d add bonus tracks to help increase the value. Western bands do it too. Look up an album you know on Wikipedia and see if there’s a Japanese version with some bonus tracks.
I’m wondering how Apple Music and later Spotify more or less tamed the Japanese music market but TV and movies are so much harder.
“We think there is a fundamental misconception about piracy. Piracy is almost always a service problem and not a pricing problem. If a pirate offers a product anywhere in the world, 24 x 7, purchasable from the convenience of your personal computer, and the legal provider says the product is region-locked, will come to your country 3 months after the US release, and can only be purchased at a brick and mortar store, then the pirate’s service is more valuable.”
GabenN
When what you're selling isn't appealing, then people won't buy it. It's not super complicated.
Realistically, if there was a service that had everything on it that was past the cinema/pay per view stage, and was a reasonable price (say £35 a month, the price of two current streaming services), then I would probably be on that instead of Jellyfin.
And I mean everything back to the dawn of time. Anything you want, TV series, movies, the lot. Original versions, directors cuts, etc. George fucking Lucas, I'm looking at you here.
But there isn't. There never will be. Because they're all in a race to grab as much money as they can, before literal heat death engulfs the whole planet.
They could make a Steam style store for movies to buy individual movies that then stay on your account. Deep deep discounts on some oldie movies intermittently. People would eat that shit up and buy whole movie libraries to keep. Way more movies than they could watch (like people do with a Steam library).
I've got my server more stable now so it works a lot more reliably for Jellyfin. Before now, my wife would wholeheartedly agree with this and insist on paying for Netflix
I recently upgraded my Jellyfin server from GTX 970 to GTX 1660 because I wanted to have HEVC 10bit support for transcoding on the fly (40 Mbps uplink is not ideal), it cost me $60 and I sold my old one for $20 to a buddy with GTX 600ish.
Maybe she doesn't know it, but how she reacts to this situation is my main test of her suitability as my partner. Nothing is more attractive to me than a woman who can just chill for 15 minutes without complaint while I exportfs -a and restart nfsd.
This is the Spotify/Apple Music/etc model and the reason why music piracy is practically dead (yes, I know there are a few sites still going).
These services are doing their best to find ways to push people back to piracy but for now they keep it at bay through competition to provide better service.
If there was a catchall video streaming service where all publishers released and got a cut of their plays it would be game over for piracy. Fortunately that'll never happen.
I don't think I've pirated a game since I started working and actually spending on Steam. Except Borderlands 3, because fuck Epic Games Store, their dumb fucking exclusivity deals, and their shitty launcher - they won't EVER see a penny from me.
I bought it on Steam a year later when it came out, on sale, with DLCs.
When the price was $9 a month I'd forget it even existed and go months without using a particular service I was paying for. But I didn't mind it because sometimes I'd get the urge to go watch some cult classic I hadn't seen in awhile, or guests could use it.
And I could eat that $9 each month because it was the equivalent of skipping one McDonald's burger a month.
Now? I use them one at a time and pirate anything not on that service. And if the cheapest option they have is ad-supported I skip paying entirely and head straight out to sea.
Of course they had it good. Studios didn't understand streaming and so sold long term rights to Netflix for pennies. Now, everyone is cutting out cable, making it impossible for those studios to fund new production on cable and broadcast alone.
New production is going to hit a cliff as streaming isn't going to be able to fund golden era of television any more.
As subscription costs rise and choice diminishes on legal sites, film and TV fans are turning to VPNs and illicit streamers, with Sweden – home of both Spotify and The Pirate Bay – leading the way
Hey, the Supreme Court said it’s cool for LLMs to pirate stuff for their bullshit so it’s free game. I’m not paying for shit. Just like that bullshit article that has been posted, which I won’t open
I am working on a prototype purely organic LLM called myself. In order to be able to interact with prompts that include popular media references I will train the model on TV shows and movies.
Training can be reinforced by opining on said media at work, with friends and online. Feedback from these other models in the form of their own wrong opinions about the media reinforces one’s own model to always be right.
I find this so ironic. For so many years the US has been sort of the anti-piracy centre of the world. Now their just blatantly allowing piracy for the sake of progress.
Hopefully this won't get me too much negative reaction: I'm not a proud pirate. I'd rather not pirate at all. I'm kind of ashamed that it's come to this.
There were a few solid years where I literally did not do it and felt no desire to, back when streaming was new, and there were only a few serious players. I'd love to return to that era, but I know it will never exist again.
So now, I and other members of my family, pay a ridiculous amount of money for a rotating suite of services, trying to do things the right way, and still, there are way too many times when we can't find anything we want to watch on any of those services and/or the thing we wanted to watch is not available on any of those services.
Finally broke down and just said fuck it. I tried to support this mess as best I could in hopes it would get better, but fully knowing it wouldn't. When it definitely did not get better I said no more.
you could account share? most services banned account sharing last year afaik.
and anyway; how is it a bad thing to reject predatory services?
piracy wad literally always a service problem. they solved it by netflix monopoly providing a great service people wanted and piracy was practically dead for an entire decade - then they all got greedy and we're all headed back to piracy.
the solution here seems pretty obvious, and i think even the execs are aware of it.
It literally is. They solved music piracy by adopting all in one licensing with services like Spotify. If they released a subscription platform that included all movies and tv shows for a reasonable price I'd instantly sub. Instead we get the current enshittification mess.
I was recently travelling and tried to sign up for Netflix and couldn't. Because I didn't have a phone number in the country I was in. And they block vpns.
You can see where this is headed. Mullvad needs the money more than Netflix anyway.
I received an email from them last week, telling me my current plan is no longer available and I either switch to a more premium one or a lower ad-driven tier.
That’s atrocious and will be the final nail in my subscription. I’m already running a jellyfin powered infrastructure and I will cancel my Netflix. Screw them, Black Mirror loving MFs.
I've been using this setup for a bit. Super simple and hassle free. I enjoy self hosting but in terms of simplicity, you really cannot beat Stremio combined with a debrid sub.
Better to use a general foss redirect extension than slowly accumulate various service-specific ones. Libredirect natively does xitter -> xcancel, bluesky -> skyview, fandom -> breeze, reddit -> redlib, and like 50 more. All with tons of prefilled mirrors and uptests ...
It's a great place to find those alternative frontends. If you're annoyed by some enshittified platform, good chance you can just enable a redirect in there.
Possibly with custom hardware. Cartridges are essentially glorified SD cards. However, they would need a dump of the decryption key, which is not possible to obtain yet. This is most likely fake.
Two ways: undisclosed software exploit, or decapping and using an electron microscope. The former would be a world first as AFAIK no hacking group has claimed to be able to do that yet, and the latter is very expensive and extremely hard.
As there is (prove me if I'm wrong) no current way to dump and decrypt Switch2 games this is a highly probable hoax. I wouldn't consider this to be true and be extermely careful.
Bullshit, this is a Scam. There is no know way to dump ROMs or get the decryption key. How are they archiving this without a Hack for the Switch 2? The only way would be if they had their own hack and their own emulator, both developed in 2 Month.
The United Nations Security Council began to debate on Monday a resolution drafted by France to extend the UN peacekeeping force in south Lebanon for a year with the ultimate aim of withdrawing it.
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::: spoiler Disable JavaScript to Access. 1. Open Chrome Settings: Click the three-dot menu (Customize and control Google Chrome) in the top-right corner and select "Settings". 2. Navigate to Site Settings: Go to "Privacy and security" and then click on "Site settings". 3. Find JavaScript Settings: Scroll down to the "Content" section and click on "JavaScript". 4. Disable JavaScript: Toggle the switch to "Don't allow sites to use JavaScript". :::
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Israeli media has reported that a senior official in the Israel National Cyber Directorate was arrested in Las Vegas on suspicion of online paedophilia.
If you've read about the sudden appearance of age verification across the internet in the UK and thought it would never happen in the U.S., take note: many politicians want the same or even more strict laws.
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David Crisafulli says LNP ‘not touching’ policy charging rates among world’s highest, as conservationists rubbish industry claims levy causing downturn
::: spoiler Disable JavaScript to Access. 1. Open Chrome Settings: Click the three-dot menu (Customize and control Google Chrome) in the top-right corner and select "Settings". 2. Navigate to Site Settings: Go to "Privacy and security" and then click on "Site settings". 3. Find JavaScript Settings: Scroll down to the "Content" section and click on "JavaScript". 4. Disable JavaScript: Toggle the switch to "Don't allow sites to use JavaScript". :::
With The Third Edict Content Update launching next Friday, you may be wondering what happens to the current Dawn of the Hunt leagues and your existing characters.
The Dawn of the Hunt leagues will end on August 26th at 3PM PDT. All your characters and their items will be migrated to the Standard or Hardcore Early Access league. There will not be any wipes, so once migration is complete, you can play your characters in the Standard/Hardcore Early Access league.
When The Third Edict releases on August 29th, you will be able to start playing in a new League with a fresh economy. Tune in to twitch.tv/pathofexile on August 20th PDT at 1PM to find out all the details about it!
Thanks to everyone for playing in the Dawn of the Hunt, we hope you will enjoy the next League and all the new content!
Watch the Third Edict live reveal on Wednesday, August 20th (PDT) and you'll be able to earn the Sun Priest's Incineration Rare Finisher Effect with Twitch Drops!
Simply link your Path of Exile account to Twitch (see below) and tune into GGG Live at www.twitch.tv/pathofexile, or any channel in the Path of Exile 2 Directory for 45 minutes. Drops will be enabled from 1PM PDT until 10PM PDT.
You will get the Sun Priest's Incineration Rare Finisher Effect after 45 minutes of accumulated watch time on any channel with drops enabled streaming Path of Exile 2 during the event. This means that the drop is guaranteed for everyone who has watched any Path of Exile 2 stream for this amount of time. This promotion is available for all accounts.
If you're planning to stream Path of Exile 2 during our livestream and want to enable Twitch Drops for your viewers, you can do it via your Twitch Creator Dashboard here.
Linking your Path of Exile Account to Twitch
Visit your Twitch Settings page while logged in. If your account isn't connected, click the "Connect" button for Twitch under "Other Connections". Complete the process on Twitch and you will be redirected back to your Twitch Settings page. If your account is already connected, this page should say "Your Path of Exile account is currently linked to your Twitch account."
After you've accumulated enough watch time to earn your Sun Priest's Incineration Rare Finisher Effect, you must redeem it from your Twitch Inventory before the promotional period ends. Then it will be immediately available in your microtransactions list in both Path of Exile 1 and Path of Exile 2. Sun Priest's Incineration Rare Finisher Effect will be available for purchase from the store at a later date.
We can't wait to explore the Third Edict with you! To stay up to date in the lead up to the livestream be sure to check out our Twitter, Facebook and Forums. We'll see you at GGG Live at www.twitch.tv/pathofexile!
poopkins
in reply to Arthur Besse • • •