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6 Settembre: Luca Blindo esce con “Slow Down”, in anteprima al Premio Lucio Dalla


Il 6 settembre 2025 segna un doppio appuntamento per Luca Blindo: esce infatti il nuovo singolo “Slow Down”, nello stesso giorno, l’artista sarà ospite fuori gara al Premio Lucio Dalla, dove presenterà il brano per la prima volta dal vivo.
Scritto e interpretato da Luca Blindo, con la produzione di Lord Bart, sempre sull’etichetta casertana Hopeland, “Slow Down” è un viaggio introspettivo che affronta il tema della resilienza e della necessità di fermarsi per ritrovare equilibrio e senso. Il testo alterna dialetto napoletano e italiano, creando una narrazione emotiva che si intreccia con sonorità urban e influenze cantautorali, per un’identità musicale originale e personale.
L’anteprima live al Premio Lucio Dalla rappresenta il contesto ideale per il debutto del brano, che racconta una sensibilità contemporanea senza rinunciare alla forza della tradizione musicale italiana.
“Slow Down” accompagnato da un lyrics visual su YouTube, sarà disponibile dal 6 settembre su tutte le piattaforme digitali e in rotazione radiofonica.


Spoti-fire, Stop-ify edo Spoti-fair


Guztiok entzun nahi dugu musika: asko, merke, euskaraz eta gaizki sentitu gabe. Baina Spotify utziko badugu Israelen konplize izateagatik, agian beste enpresa eta tresnen inguruan ere hausnartu beharko dugu. Edo gure morala kontratatzen ditugun zerbitzuen arabera neurtzen hasiko gara? Non geratzen da artista? Eta kultura? Zer balio eraman nahi ditugu beste plataforma batera? Zertarako prest gaude? Galdera asko eta erantzun gutxi.

  1. Testuingurua
  2. Kanpaina
  3. Artistaren papera
  4. Enpresei boikota
  5. Plataforma
  6. Eta gero zer?


Testuingurua


Duela aste batzuk Whatsappeko mezu bat jaso nuen ekimen batera atxikitzeko gonbidapenarekin. “Musikariak Palestinarekin” egitasmoak Spotifyetik gure musika kendu eta boikota egitera animatu gaitu euskal artistoi. Daniel Ek Spotifyeko sortzaileak Israelek Palestina erasotzeko erabiltzen dituen droneak ekoizten dituen enpresa batean inbertsioak egin ostean sorturiko ekimena da. Oso hasieran dago kanpaina, eta oraindik lanean ari dira talde gehiago batu eta komunikazio kanal ofizial bat izateko.

Mezua entzuleari ere iritsi zaio, eta sareetan jendea galdezka antzematen da. “Non gehiago dago euskal musika?”, edo “Nola erraztu aldaketa nirekin plan familiarra partekatzen duen jendeari?”.

Gure musika kontsumo ohiturak, eta zehatzago, gure kultura kontsumitzeko eta sustatzeko ohiturak aldatuko baditugu, zein balio eramango ditugu beste plataforma batera? Zeren baitan aukeratuko dugu plataforma hori? Non jarriko dugu eskubideen neurgailua? Nahikoa zaigu plan familiarra izatea? Gure morala eta lasaitasun mentala kontratatzen ditugun zerbitzuetan neurtuko dugu? Edo euskal musikaren ekosistemari buruz hausnartzeko eta artistak babesteko baliatuko dugu? Spoti-fire emango diogu edo Stop-ify egingo dugu?

Kanpaina


Spotifyetik musika ateratzeko eta boikoteatzeko kanpainarekin bat egiten dugu, eta bertatik gure musika kentzeko lanean ari gara. Baina pertsonalki, baditut beste ezinegon eta zalantza batzuk.

Artistak erantzukizun guztia dauka bere musikarekiko, eta ahal duen neurrian non dagoen kontrolatu beharko luke. Agian, entzuleek ez dakite gaur egun distribuzio digital bidez automatikoki plataforma guztietara igotzen dela musika, baita euskal musika ere. Beraz, alternatiba bilatzea oso erraza da, edozein plataforma “mainstreamean” aurkitzen baita euskal musika.

Hala ere, ezin dugu guztia artistaren esku utzi. Plataformak mugitzen duen dirua erabiltzailearena eta iragarkiena da. Artistok katalogoa kentzen badugu ere, jendeak bertan jarraituko badu, ez dugu ezer lortuko. Aldaketa entzulean izatea behar dugu bereziki.

Artistaren papera


Ez dut eztabaida arazo ekonomikoetara eraman nahi, ez du zentzu askorik artistaren ikuspegitik, horrelako plataformek ez dutelako (normalean behintzat) diru sarrera handirik suposatzen. Baina sareetan eman diren eztabaidetan, jendeak artistaren irabazietan ere oinarritu du plataformaren aldaketa. Eta uste dut honi buruz hitz egiteak ikuspegia zabaldu dezakeela.

Artistak egitura juridiko bat behar du diru sarrerak jaso ahal izateko (edo diru laguntza bat eskatu ahal izateko). Musika konposatzea, letrak idaztea, kanta borobiltzea, estudioa kontratatzea, grabatzea, ekoiztea, nahastea, masterizatzea, euskarriak diseinatzea, bideoklipa egitea, diskoa euskarri fisikoan kaleratzea eta plataforma digitaletan jartzea. Prozesu horretan artista baten irabaziak 0€ dira, eta gastuak, berriz, 3000€ eta 10000€ artekoak gutxi gorabehera.

Momentu horretan, kantu edo disko bat kaleratzean, hasi daiteke dirua “irabazten”. Normalean kontzertuetan altak eta bajak ematen dira, eta egun horiek dira kotizatzen direnak. Beraz, diru irabazi (edo galera ezak) izateko aurretik hilabete askotako lana egin behar du, eta diru kopuru handia inbertitu.

Baina ez dut gehiegi dramatizatu nahi. Talde edo bakarlari bakoitzaren egoera oso ezberdina izan daiteke, eta gure kasuan hau dena oso prozesu interesgarria izan da beti.

Egoera ekonomikotik haratago, musikariei edo pertsona esanguratsuei beti eskatu zaie publikoki posizionatzea. Beraien botere mediatikoa hitzez edo ekintzez erabiltzea aldarri bat edo beste babesteko. Maila ezberdinetan, baina ikusi dugu zer gertatu den KKRren udako jaialdi guztiekin. Inoiz baino gehiago, artista baten ekintzak bozgorailu politiko bilakatu dira.

Artista batek jaialdi batean ez jotzeak jaialdia kaltetzen du, bai. Baina artista batek plataforma batetik katalogoa kentzeak ez du apenas eragiten. Aldiz, erabiltzaile askok aldi berean eta koordinatuta plataforma bat utziko balute, enpresek sumatuko lukete diru sarrera horien falta. Oraingoan, artistek baino entzuleek eman beharko lukete pausoa benetan kalte eta boikot bat egiteko. Hala ere, uste dut artistek utzi egin behar dutela Spotify, entzuleek ere utzi dezaten.

Palestinan Israelek egiten duen genozidioa babesten duten enpresak boikoteatuko ditugu ahal dugun heinean. Baina, baliatu dezakegu boikota euskal musikaren osasunaren aldeko jarrera egokiak hartzeko? Entzuleak kontsumo egokira bideratu ditzakegu? Eta musika edo kulturaren kontsumotik haratago zer? Zerbait gehiago aldatuko dugu, edo Spotify uztea modan dagoen trend bat da?

Enpresei boikota


Horrelako kanpainen deialdiak Whatsappez jaso ohi dira, Instagrameko kontu batera bideratuta eta Gmail bat jarriz kontakturako helbide zuzen bezala. Jendeak ahal duena egiten du eskura dituen tresnekin —noski baietz eta eskerrak!— eta ez dugu zertan jakin behar guztiaren atzean zer dagoen. Baina enpresa batzuekin era batera jokatzeak edo ez, agerian uzten du teknologiaren munduan zein galduta gauden.

Googleen eta Amazonen azpiegitura teknologikoa erabili ohi du sistematikoki Israelek Palestina jazartzeko. El Salto hedabideak hau argitaratu zuen aurreko urtean. Eta 2023an METAren zentsurari buruz (Whatsapp, Facebook, Instagram, Threads…), hurrengo hau idatzi zuen Human Rights Watch GKEak, normalean “proyankia” izanik.

Beraz, Palestinak jasaten duen genozidioan kolaboratzen duten enpresen tresnak erabiltzen ditugu, Palestinaren genozidioa sustatzen duen beste enpresa bat kaltetzeko.

Eta koherenteagoak izan nahiko bagenu?

Gure kanpainaren komunikazioa sare libre eta kontrolatuetan egin dezakegu, eta euskaraz:

  • Fedibertsoa.eus-en aurkitu ditzakegun Mastodon, Lemmy, Peertube edo Pixelfed sareak sortu eta horietan ere edukiak zabalduz.
  • Liberaforms bidez atxikimenduak eskatuz edo iritzien horrela jasoz.
  • Domeinu propioa erosiz eta webgune sinple bat eraikiz (WordPress edo bestelako CMS libreen bidez).
  • Domeinu propioko eposta erabiliz.

Gero, Instagram, Whatsapp, Facebook, X, BlueSky eta gure datuekin jolastu nahi duten eta Israelen konplize diren sare guztietan zabaldu, erabiltzaileak gure komunikazio libre eta kontrolatuetara bideratuz. Ez ordaindu publizitatea eta ez sustatu sare hauen erabilera.

Baina gauza gehiago ere egin ditzakegu eguneroko teknologiekin:

  • DuckDuckGo, SearXNG edo beste bilatzaile libre bat erabili nabigatzailean.
  • Firefox, Brave, Chromium edo bestelako nabigatzaile libre bat erabili.
  • Ez erosi Amazonen, ez erabili Instagram, ez erabili Whatsapp, ez erabili Gmail edo Google Appak; gure datuekin irabazten dute dirua.
  • Baina batez ere, ez sustatu teknologia hauek hezkuntza zentroetan.

Koherentzia absolutua izatea oso zaila da. Janzten dugunak, jaten dugunak edo erabiltzen dugunak Israelekin zerikusirik ez duela jakitea ez da batere erraza.

Honela eztabaida handiagoa da, zailagoa, eta agian Spotify uzteko ekintza sinpletik haratago doanez, aldaketarako duen indarra lausotu egiten da. Baina probestu dezakegu Spotifyetik ateratzea beste tresna, enpresa edo ohitura batzuk aldatu eta boikoteatzeko ere. DeSpotify egitetik DeGoogle egitera.

Gure auzoko kanpainak beste era batera eta beste tresna batzuekin antolatzera. Agian zigilu bat asma dezakegu hori komunikatzeko: “Kanpaina honetan ez da genozidioa bultzatu duen enpresaren teknologiarik erabili”. Zer dakit… Hemen garrantzitsuena fokua non jarri erabakitzea da. Musikak zerbait gehiagorako balio badigu, probestu dezagun. Bestela, toki berean bukatuko dugu hasitako bidea.

Plataforma


Irakurri dut sareetan Tidal dela artistari hobekien ordaintzen dion plataforma, baina ez da horrela. Gainera, handia da beste plataforma batera migrazioa egin eta berriro toki berean bukatzeko arriskua. Ongi aukeratu, eta kontuan izan beharko genuke enpresa horrek zein inbertsio eta hornitzaile dituen.

Soluzio bateratu bat, hilabeteko harpidetza eta musika katalogo handia kontsumitzeko aukera eta merkea edo plan familiarrarekin gastuak partekatzeko plataforma bat bilatzen ari bazarete, ez dago artista babestuko duen aukera egokirik. Enpresa guztiek 0.002€ eta 0.02€ artean ordaintzen diote artistari erreprodukzio bakoitzeko. Eta irabazi horiek gero disketxe eta distribuzio digital lanak egiten dituzten enpresekin partekatu behar dira (%100 autoekoizpena denean). Normalean artistak %80 eta besteek %20 jasotzen badute ere, oso ohikoa da 50/50 formula.

Ez da nire intentzioa enpresa baten zerbitzuak edo bestearenak gomendatzea. Eta gainera, oso ondo azaltzen du dena hemen Zonafrankako Frankiek: Spootifyen kakaztea, SLOP musikala eta alternatiba posibleak kontsumitzailearen interesen arabera. Taula ederra sortu du:

Soinu ingeniaria den lagun batekin hitz egin nuen honi buruz. Berak aipatu zidan nola duela 15 urte jada pentsatu zuen zer izan zitekeen Spoti-fair bat, edo justuagoa den plataforma bat. Bere klaseetan antzeko eztabaidak izaten zituzten. Garai hartan ere enpresek musika behar zuten, musikarekin zerikusirik ez zuen helburu bat lortzeko. Beraz, artistari xoxik ez. Ez da asko aldatu.

Aipatuko nukeen plataformetako bat da Bandcamp. Denda baten azpiegitura teknologikoa ematen dio artistari, eta orrialde propio bat diseinatzeko aukera irabazien %20/25aren truke. Pare bat aldiz saldu dute plataforma, eta horrekin ere arazoak izan ditzakegu etorkizunean. Ez baitakigu nork erosi dezakeen.

Nik imajinatzen dut tresna publiko bat izango dugula noizbait kultura sostengatzen laguntzeko. Orain Europako diru-laguntzekin sortutako bideo eta podcast plataforma publikoez betetzen ari gara internet. Momenturen batean iritsiko zaigu musikara ere. Baina ez bada iristen?

Jabetza kolektiboan edo pribatu federatuan bilatuko nuke irtenbidea. Adibide ederra dugu Funkwhale instantzia euskaldunarekin: BaleaFunk. Proiektua fedibertsoan dago eta zure musika igo dezakezu.

Badaude proiektu interesgarriak martxan, Subvert bezalakoa. Bandcamp plataformaren alternatiba kooperatibo bezala saltzen dute. Eta funtsean hori da, kooperatiba bat bazkidetza irekiak dituena eta momentuz sortze prozesuan dagoena. Bazkideentzako itxitako foroetan hartzen ari dira erabakiak, eta beraien roadmap edo aurreikusitako ibilbidea publikoa da.

Edo Resonate, erreprodukzioen arabera ordaintzen duzu, harpidetzarik gabe. Eta parte hartzen duten artista, erabiltzaile eta langileen proiektua da. Pribatutasuna bermatzen dute, eta algoritmoaren gomendioen aurkakoak dira.

Laburbilduz, plataformek ez dute artista babesten. Artista batek diru gehiago irabaziko du bere musika irratiak edo telebistak erabiltzen badu, edo SGAE edo EKKI bezalako erakunde publikoek egiten duten musika erabiltzen duten negozioen rekaudaziotik (tristea bada ere). Eta argi dagoen gauza bakarra hurrengoa da:

Artista bat babesteko era zuzenena, bere kontzertuetara joatea eta bere diskoak erostea da.

Eta gero zer?


Ekintza indibidualetik haratago, ez goaz inora ekintza edo konponbide kolektiborik gabe. Zein soluzio ikusten diogu euskal musikari internet bidez kontsumitu eta partekatzeko, ahalik eta koherentzia digital eta kultural handiena mantenduz, non artistak babestuko diren eta Palestinaren aurkako sarraskia (edo besteren bat) babesten duten enpresei boikota egingo zaien?

Eta testuinguru horretan etorkizun hurbil batean… Zein da imajinatzen dugun kultura eta horrentzako sostengu bizigarri posiblea? Behar dugu? Nahi dugu? Nola nahi dugu? Ordainduko dugu? Edo beste era batera babestuko dugu? Edo zuzenean AA bati eskatuko diogu Esanezin edo MICEren hurrengo kanta asmatzeko?

Agian azken aukera euskal musikariak nolabait batzea izango da. Eskubideak lortzeko sindikatuak edo kooperatiba kulturalak eraikiz. Edo zuzenean Palestinaren aldeko aldarri kolektibo eta kultural baten bitartez. Zeinek daki etzi etorriko dena?

Lehen pausoa behintzat argi dugu: Spotifyetik irten.

#AAEZ #Alternatibak #DeGoogle #Genozidioa #Google #Israel #Meta #Musikariak #Palestina #Spotify

etzi.pm/spoti-fire-stop-ify-ed…

Questa voce è stata modificata (3 giorni fa)


The Ideal Disinformation Weapon: AI Companion Apps are being weaponized for hybrid warfare and stochastic terrorism


Renowned Canadian hybrid warfare, AI and disinformation expert Blair Maddock-Ferrie of Carleton University writes on the serious threat to national security that AI Companion Apps and girlfriends like Replika, Character.ai, etc. pose today.


The Ideal Disinformation Weapon: AI Companion Apps are being weaponized for hybrid warfare and stochastic terrorism


Renowned Canadian hybrid warfare, AI and disinformation expert Blair Maddock-Ferrie of Carleton University writes on the serious threat to national security that AI Companion Apps and girlfriends like Replika, Character.ai, etc. pose today.


The Ideal Disinformation Weapon: AI Companion Apps are being weaponized for hybrid warfare and stochastic terrorism


Renowned Canadian hybrid warfare, AI and disinformation expert Blair Maddock-Ferrie of Carleton University writes on the serious threat to national security that AI Companion Apps and girlfriends like Replika, Character.ai, etc. pose today.

reshared this



Italian Dockworkers Threaten to ‘Shut Down All of Europe’ If Gaza Aid Flotilla Is Blocked


Italian dockworkers have threatened to “shut down all of Europe” and block all shipments to Israel if communication with the latest aid flotilla bound for Gaza is lost. The threat marks a significant escalation in dockworkers’ long history of industrial action in solidarity with Palestine.

Speaking at a procession in the port of Genoa – one of Italy’s two largest commercial ports – on behalf of the Unione Sindacale di Base (USB), a syndicate of various grassroots unions in Italy and thought to be the largest of its kind, the dockworker said: “If we lose contact with our boats, with our comrades – even for just 20 minutes – we will shut down all of Europe.”

“Our young women and men must come back without a scratch, and all this cargo, which belongs to the people and is going to the people, must reach its destination, down to the very last box.”

“13,000-14,000 containers leave this region every year for Israel. Not a single nail will leave anymore,” he continued.



Google deletes net-zero pledge from sustainability website


in reply to silence7

Don't be evil*

*definition of evil may be changed at any point and has no relation to the official dictionary.





UK government trial of Microsoft's M365 Copilot finds no clear productivity boost


cross-posted from: programming.dev/post/36865760


UK government trial of Microsoft's M365 Copilot finds no clear productivity boost


in reply to Pro

"speeding up some tasks yet making others slower due to lower quality outputs"


So use it for the tasks that were made more efficient, and stop using it for the ones that slowed down or were low quality.

in reply to jaykrown

I think they mean that the output that makes task X more efficient slows down task Y that uses the previous output.
in reply to Pro

Given that it's people who work for the government, expectations are already low, if no training is provided results will be even worse and last but not least, if the product is absolutely crap, why would you continue using it?


England Trials Smartphone Rail Payment System with Real-Time Phone Location Tracking


cross-posted from: programming.dev/post/36878714


England Trials Smartphone Rail Payment System with Real-Time Phone Location Tracking


reshared this

in reply to Pro

So they've created a dependency on your phone's location service being always on for what reason, exactly?

Why is this not needed anywhere else that contactless payment for transit services has been successfully implemented?

in reply to phutatorius

One of them actually being London. They had contactless pay with Google pay there for years already, without location service. You tab to go on and tab when you exit the metro



Addressing the unauthorized issuance of multiple TLS certificates for 1.1.1.1


cross-posted from: programming.dev/post/36881324

::: spoiler Comments
- Hacker News.
:::



Addressing the unauthorized issuance of multiple TLS certificates for 1.1.1.1


::: spoiler Comments
- Hacker News.
:::


reshared this

in reply to Pro

I like cloudflares transparency they are always good with that. My only issue with them is that they are essentially mitm all traffic.
in reply to Pro

This is a good overview of TLS, but thanks for the post! And kudos to Google, Mozilla, Apple, et al who didn't support that CA!


People prefer chatbots when buying embarrassing stuff


cross-posted from: programming.dev/post/36882952


People prefer chatbots when buying embarrassing stuff


reshared this

in reply to Pro

So they want to go through one more party, that will collect and sell information about their purchase?
Questa voce è stata modificata (3 giorni fa)
in reply to Pro

I personally want a sales rep that has used the product. I want them to know how it felt the first time it was inserted as well as the hundredth time. How else will you know whats quality. How does it hold up when seated and how well when spanked. These are important things!


Scattered Lapsus$ Hunters Demand Google Fire Security Experts or Face Data Leak


cross-posted from: programming.dev/post/36864966


Scattered Lapsus$ Hunters Demand Google Fire Security Experts or Face Data Leak


reshared this

in reply to Pro

I love how utterly deranged Scattered Lapsus$ Hunters are 😁
Keeping the corpos on their toes because they don't get it
Questa voce è stata modificata (3 giorni fa)
in reply to Pro

Lol any hacker tossing "bro" around in conversation immediately gets a downgrade from black (or white) hat to "propeller beanie".

Scratch that; anyone trying to sound serious about anything does.


in reply to Pro

Is it just me or is this shithead in full "throw spaghetti at the wall mode". This is, like, the third dumbass announcement he's made this week, which seems high, even for him.
in reply to Pro

I wonder where Altman gets his drugs. Can someone hook me up?




Google deletes net-zero pledge from sustainability website








Marking things as adult content?


I'm sure there's a lot of discussion about age-verification laws around here right now and for the sake of keeping things on topic I won't really broach the subject here, but it has gotten me thinking that there really isn't much that can be programmatica

I'm sure there's a lot of discussion about age-verification laws around here right now and for the sake of keeping things on topic I won't really broach the subject here, but it has gotten me thinking that there really isn't much that can be programmatically marked as adult content on the fediverse.

I haven't dived too much into researching the subject, it looks like Lemmy lets you set posts as NSFW, but most activity is centered around microblogging and that appears to have coalesced around Mastodon's approach of freeform content warnings. This seems like a disaster in the making if "don't show adult content to minors" becomes something that has to be more strictly enforced; these content warnings can be used for everything from benign spoiler warnings to very obviously signposting sexually explicit fetish content. Computers can't really understand this level of nuance unless you throw something that does natural language processing at it, and that will almost certainly come up with a lot of false positives and wasted energy in the process; I can't imagine this going over well with anyone really.

So, I've been wondering, how difficult would it be to standardize a separate mature-content warning from the content warnings currently in place? This idea has clearly been floated before (see this issue on Mastodon's GitHub and this blog post written by someone who was a minor and directly affected by this issue at the time) but I haven't actually seen any work towards anything beyond paying lip service to the subject. Maybe it could be a boolean toggle, like how the former Cohost did it (on top of content warnings) or something closer to how Bluesky does it where you have a few set moderation labels that you can apply yourself (see below).

fa27b379-2053-4343-ba74-c86f326c9c6f-image.png

We could also consider moving this distinction beyond posts; the Mastodon issue that I linked above also mentioned applying this to users and even entire instances.

There are a few caveats here in that people historically don't really appreciate being hidden/deboosted for posting adult works, and there is the potential for backlash if something gets marked as adult when it really isn't. I'm not entirely sure how this could be addressed beyond leaving this to implementers and maybe leaving some strong advice to be understanding and not shove people in a corner because they draw kink art for example.

I'd definitely appreciate more thoughts on the subject, please let me know what you think.

in reply to eblu

Hi! We’re actually working on a specification for content labels:

github.com/swicg/activitypub-t…

essentially a Note (or other object ) can have many labels associated with it, and these labels would exist as part of well known vocabularies, such that software can give users better choice over what they see and don't see.

Yes, that does mean software may provide methods of complying with age verification laws may mean certain categories of content are unavailable without some form of age verification (but that's between you, your server software, and you instance administrator as to what that is). Currently there are some tools for instance administrators, particularly of mastodon to completely filter certain content from their servers, making their servers somewhat explicitly child-friendly.

This would also allow for third-party labellers in the future if needed (through annotations), which allow for bluesky style labellers which can catch content not self-labelled.

I want to stress that the goal of content labels is not to moderate the adult content nor queerness from the fediverse, but rather to give creators and consumers of content more control over what they publish and who sees it or what they see.

It is unfortunate and terrible the way that age verification is being rolled out as a means to censorship and authoritarianism, and these laws should be fought in the courts and politically to be repealed or changed. Adults must be able to exist on the internet, not everything is for children.


in reply to return2ozma

My job just had mandatory training that was an ad for AI services. Not for any service in particular, just AI services in general.
in reply to return2ozma

I already have shitty companies ask questions in their job form about which AI tools I use to write software and how much percentage of my final code is from AI, fuck me like this job didn't suck enough now I have to prompt the fuckin AI multiple times to do something just so that it ticks a metric that upper management can use to justify spending money on AI and firing actual engineers



in reply to RegularJoe

Is this good? I can’t tell if it’ll just be used as one more invasive information gathering data points for Amazon and google
in reply to RegularJoe

Is this good? I can’t help but think it’s just another datapoint for google to scrape


love2d stavolta che gira, nonostante la octo-oriented programming!


Sorprendentemente, appena qualche ora di sonno e qualche ora di scrittura magica un pochino avanti e indietro più tardi, e ho effettivamente trovato una soluzione al problema problemoso delle prestazioni imbarazzanti di Love2D caricato di una tale OOP che non gira affatto bene su una viemmina come quella di Lua… e, anche se come previsto […]

octospacc.altervista.org/2025/…



DOJ does damage control as staffer admits Republicans will be redacted from Epstein files


Not a big fan of O'Keefe, but I like this!


The United Nations Turns Eighty







Download from Kobo Broken?


I have a book in my Kobo library that I want to put in Calibre. When I try to download it on my computer or phone, all that downloads is a URLLink.acsm file. Anyone know what's going on?
in reply to Kraven_the_Hunter

That’s the Adobe Digital Editions resource file. Put that link into the ADE application and it’ll download the ebook.
in reply to ohulancutash

There is also a Calibre plugin that's supposed to deal with .ascm files. I've never managed to get it to work personally but maybe someone else will have more luck.
in reply to Kraven_the_Hunter

This tool is easy to use and works well, and then just use something like calibre to strip the DRM.
Questa voce è stata modificata (3 giorni fa)


Any Resistance Will Hurt Our Investors


This was made with Barra's Error Message Generator
Questa voce è stata modificata (4 giorni fa)

in reply to MrSoup

Maybe if the title didn't sound like an ad.

Also shit like this is how sensitization starts. People upvote this shit and befor you know it's all you see everywhere.

Fuck google.

in reply to krunklom

Its an uneditorialized title. Blame the verge for the headline
Questa voce è stata modificata (3 giorni fa)