Bruno Gaccio - Médias possédés par les riches en France : une loi de 1993 à abroger. (2021)
informassue.tuxfamily.org/page…
Extrait vidéo : Bruno #Gaccio propose, pour empêcher des #riches de posséder des #médias en #France, d'abroger une #loi de 1993.
#Presse #Média #Liberté #Milliardaires
Les grands médias, la liberté | Informassue : le XXIème siècle, la fin de l'ère du pétrole.
Est-il possible en France d'être informé réellement sur la situation française et mondiale, l'économie, les problèmes liés à la croissance, la fin du pétrole, à travers les grands médias ?Informassue
Chilenos vão às urnas para 2º turno de eleições majoritárias - Paulo Figueiredo
Jeannete Jara, ex-ministra de Boric, e José Antonio Kast, opositor, disputam pleito que será realizado neste domingo (14.Mickaely Spakoski (Paulo Figueiredo)
collabs.shop/qjyyys
Cute Green Christmas Tree Plush
This plush blends cuteness and holiday cheer with the iconic shape of a Christmas tree. It is ideal for your festive decorations.PlushThis| Plushies & Stuffed Animals
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🛑🇺🇦Renegade Zelensky and his party have unilaterally, without a national referendum, abandoned the constitution mandate to join NATO in exchange for security guarantees (more) #Ukraine #Poland #Warsaw #Netherlands #Norway #Sweden #Estonia #Latvia #Lithuania #Paris #Rome #London #Berlin #Canada #Finland #Brussels #Denmark #Germany #France #Italy #SouthKorea #Press #News #Taiwan #Media #Japan #US #UK #EU #NATO #UnitedStates #UnitedKingdom #EuropeanUnion #russiaUkraineWar
Warriors Ukrainian🇺🇦
🇺🇦🇺🇸🇪🇺 Zelensky has abandoned NATO ambitions in exchange for security guarantees from the US, Europe and partners ahead of talks in Berlin. At the same time, Ukraine is not accepting territorial concessions, — Reuters.Telegram
Candid First Avenue 1982 shot by Steven Laboe. Lisa and Prince during soundcheck for the 8th March show...
#LisaColeman #Prince #FirstAvenue #Princ3ipal #Photo #music #iconic
Outside the Farm Security Administration (FSA) grant office during pea harvest. Calipatria, California. During the spring of 1938 for the first time the labor surplus has grown so large that relief grants were necessary even during the peak of harvest
#Calipatria #California #first #third #undefined #photography #DorotheaLange
loc.gov/pictures/item/20177717…
![The image is a black and white photograph depicting three individuals in an industrial or agricultural setting. The environment appears to be a warehouse with wooden doors, where the ground shows signs of neglect such as scattered debris.
One person, presumably male based on clothing style and posture, is seated on the concrete floor outside a door, handling what looks like bags filled with items possibly related to farming produce given context clues from the surroundings. He wears overalls, shoes that appear worn out, and has his sleeves rolled up for manual work. His attention seems focused on the task at hand.
Another individual, likely female due to attire, stands beside him wearing a coat and skirt, her hands clasped in front of her as she observes or waits patiently near an open door which appears frequently used given its worn state. The third person is standing further away from them with their back partially turned towards the camera; this figure seems male based on clothing style—a hat and overalls—and his stance suggests he might be taking a break or observing something outside of view.
The overall atmosphere conveyed by the image exudes hardship, possibly during economic struggles reflected through the worn conditions around them. The photograph's context comes from Outside the Farm Security Administration (FSA) grant office during pea harvest in Calipatri [...]](https://poliverso.org/photo/preview/640/68222145 "The image is a black and white photograph depicting three individuals in an industrial or agricultural setting. The environment appears to be a warehouse with wooden doors, where the ground shows signs of neglect such as scattered debris.
One person, presumably male based on clothing style and posture, is seated on the concrete floor outside a door, handling what looks like bags filled with items possibly related to farming produce given context clues from the surroundings. He wears overalls, shoes that appear worn out, and has his sleeves rolled up for manual work. His attention seems focused on the task at hand.
Another individual, likely female due to attire, stands beside him wearing a coat and skirt, her hands clasped in front of her as she observes or waits patiently near an open door which appears frequently used given its worn state. The third person is standing further away from them with their back partially turned towards the camera; this figure seems male based on clothing style—a hat and overalls—and his stance suggests he might be taking a break or observing something outside of view.
The overall atmosphere conveyed by the image exudes hardship, possibly during economic struggles reflected through the worn conditions around them. The photograph's context comes from Outside the Farm Security Administration (FSA) grant office during pea harvest in Calipatri [...]")
Kingston On Murray Cemetery, South Australia, September 2025.
While exact founding dates are sparse, burials recorded as early as the late 19th century suggest the cemetery has served the region for well over a century.
The cemetery reflects the settlement history of Kingston-on-Murray, a small Riverland town known for its agricultural heritage and proximity to the Murray River. Many interments represent pioneering families, local farmers, and community figures.
Photo by Bron, edit by Kev.
© 𝓐𝓵𝓵 𝓡𝓲𝓰𝓱𝓽𝓼 𝓡𝓮𝓼𝓮𝓻𝓿𝓮𝓭 𝓫𝔂 𝓖𝓪𝓻𝓭𝓮𝓷𝓼 𝓸𝓯 𝓽𝓱𝓮 𝓢𝓲𝓵𝓮𝓷𝓽.
#cemetery #cemetary #cemeteries #cementerio #grave #graves #gravestone #graveyard #taphophile #gardensofthesilent #southaustralia #photography #cemeteryphotography
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Good evening, friends. How are you all? I hope everyone is doing well. ♥️
We want to buy winter clothes for ourselves, but everything is so expensive in the markets. Please help us find something to keep us warm.🙏🙏🙏
👉 gofund.me/0962a012a
#GazaWinter #gaza #gazaverified #gaza_help
#palestine #PalestineAction
@aral @fabio
@shad
@TomSwirly
@tsbasatoru
@gimulnautti
@Nigel_Purchase
@TheEddieShow
Absynth is back and weirder than ever after 16 years
Native Instruments revives the cult-classic Absynth with MPE and new presets from Brian Eno and Kaitlyn Aurelia Smith.Terrence O'Brien (The Verge)
Here's an alt-text description of the image:
The image is a close-up shot of a person with short brown hair and a beard, wearing a dark collared shirt, looking directly at the camera with a serious expression. The background appears to be an outdoor setting, possibly a driveway, with parts of vehicles visible. There is a white SUV and a dark truck in the background, partially out of focus. Overlaid on the image is a block of white text with black lettering.
The text reads: “With all the furor over the Epstein files, I’d like to point out that a bunch of powerful men abused young girls and the only person in jail is a woman. Time to change that, don’t you think?”
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Sensitive content
other people are posting pretty snow pictures, i'm out here scouring the xenophobia app for info about explosions. Long Beach is just built different i guess
#ToxicLA #LongBeach #militarism #pollution
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Our schedule for the Haecksen workshops at #39C3 is ready!
You can find it right here:
pretalx.c3voc.de/39c3-haecksen…
And also in the hub:
events.ccc.de/congress/2025/hu…
[39c3] Haecksen
We are the Haecksen, a group of over 1,000 FLINTA (FLINTA: women, lesbians, inter, non-binary, trans, agender) individuals interested in technology. Our goal is to anchor intersectional queerfeminist – and thus socially relevant – viewpoints i...39c3
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ADORO IL GENIO - NEW LOOK
A volte è necessario prendere decisioni drastiche.
(Credit: Scott Maynard)
#adoroilgenio #14dicembre #look #acconciatura #serpenti #serpentelli🐍 #medusa #Mito #mitologia #mitologiagreca #coiffure #hairstyle #hairstylist #vignette #vignettedivertenti #comic #comics #fumetto #fumetti #humor #comedy
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Ecco una descrizione del testo alternativo per l'immagine:
L'immagine è un'illustrazione in stile cartone animato di due personaggi. Un uomo seduto su una sedia suona un flauto di pan, mentre una seconda persona, con capelli verdi e ricci che assomigliano a serpenti, è seduta con gli occhi chiusi, con un'espressione serena. L'uomo indossa una camicia azzurra e un colletto nero, mentre l'altra persona è vestita con un abito bianco. Sono seduti su una poltrona marrone, e in primo piano si intravedono le gambe di altri personaggi. In alto a destra sono presenti delle note musicali. In basso a destra è presente il testo "Adolo Cencio".
alt-text: Illustrazione in stile cartone animato di un uomo che suona un fluto di pan per una persona con i capelli verdi e ricci che assomigliano a serpenti, seduti su una poltrona marrone. L'uomo indossa una camicia azzurra e un colletto nero, mentre l'altra persona è vestita con un abito bianco. Sono visibili delle note musicali nell'angolo in alto a destra, e il testo "Adolo Cencio" in basso a destra.
―
L'immagine è un disegno in stile fumetto che rappresenta una figura femminile con i capelli sostituiti da serpenti verdi intrecciati. La figura è raffigurata a mezzo busto, con le braccia alzate in segno di rabbia o frustrazione. Indossa una tunica bianca con una cintura rossa e braccialetti dorati. La figura ha espressione arrabbiata, con sopracciglia corrugate e occhi stretti. Sullo sfondo si intravedono delle colonne di pietra. Sopra la testa della figura è presente una nuvoletta di dialogo contenente il testo "DANNATI SERPENTELLI!".
alt-text: Un disegno in stile fumetto mostra una donna con i capelli sostituiti da serpenti verdi intrecciati, con le braccia alzate in segno di frustrazione. Indossa una tunica bianca con una cintura rossa e braccialetti dorati. Ha un'espressione arrabbiata con sopracciglia corrugate. Una nuvoletta di dialogo sopra la sua testa recita "DANNATI SERPENTELLI!". Sullo sfondo si intravedono colonne di pietra.
―
Ecco una descrizione del testo alternativo per l'immagine:
Un personaggio stilizzato con il busto rivolto verso lo spettatore e le braccia lungo i fianchi. Il personaggio ha la pelle marrone ed è avvolto in una tunica bianca avvolta attorno al corpo e tenuta insieme da una cintura marrone. Il personaggio ha una serie di serpenti verdi che gli crescono sulla testa al posto dei capelli. Sopra la testa del personaggio c'è una nuvoletta di dialogo che contiene il testo: "È GIUNTO IL TEMPO DI CAMBIARE!" Il personaggio ha un'espressione severa con le sopracciglia aggrottate e la bocca serrata. Lo sfondo mostra una serie di edifici stilizzati in tonalità di grigio.
alt-text: Un personaggio stilizzato con serpenti al posto dei capelli, avvolto in una tunica bianca, con un'espressione severa e una nuvoletta di dialogo sopra la testa contenente il testo: "È GIUNTO IL TEMPO DI CAMBIARE!" Lo sfondo mostra edifici stilizzati in tonalità di grigio.
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🌱 Energia utilizzata: 0.997 Wh
Boucle au départ de Pégairolles-de-Buèges jusqu'à la montagne de la Séranne via le Peyre Martine (782m).
#photography #photographie
#france #occitanie #herault #pegairollesdebueges #seranne #montpellier
#sky #cloud #sun #fog #mountain #rock #cliff #water #river #tree
#landscape #outdoor #outdoors #nature #hiking
#travel #tourism #tourismeoccitanie
#autumn #picoftheday #photooftheday #naturephotography #natureview #horizon #view #panorama
internationalistcommune.com/o-…
"Estamos escrevendo esta brochura no outono, época de mudanças e a estação favorita de Şehîd1 Bager Nûjiyan. Um tempo antigo está passando para dar lugar a um novo. Şehîd Bager caiu como mártir em 14 de dezembro de 2018, devido a um ataque de drone do Estado turco nas Áreas de Defesa de Medya. Quando […]"
Eastern Phoebe
#Birds #photography #wildphotography #birdphotography #WildlifePhotography #Wildlife #Nikon
The schedule for the FOSDEM 2026 Social Web Developer Room is up. This is the best place to find out what's going on in the world of ActivityPub. 31 Jan 2026 in Brussels!
socialwebfoundation.org/2025/1…
Schedule for Social Web Developer Room at FOSDEM 2026
The schedule for the Social Web Developer Room at FOSDEM 2026 is starting to be populated as the speakers confirm their availability. We had a tonne of great submissions for this year’s track, and even with double the time from last year, we still had to leave some great talks on the cutting room floor. But we still managed to fit in 24 great talks, large and small. We’re going to see some additional events happening as FOSDEM 2026 gets nearer. Watch the #SOCIALWEBFOSDEM hashtag for more news and events.
- 20 years ago (0 votes)
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WuselGewusel: Warum eine gute Federkernmatratze mehr ist als nur ein Schlafplatz wuselgewusel.com/federkernmatr…
#Blog
Eine Federkernmatratze ist oft mehr als nur ein Schlafplatz ☻ Mit Rabattcode - WuselGewusel
Federkernmatratze Ravo-SPRING: Komfort, Höhe und so gemütlich, dass die Katzen sofort drauf liegen. ☻ RabattcodeKatja (WuselGewusel)
@Vive_Levant !
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Sanctuary Island appeared on no maps. Twenty-three miles off Georgia's coast. Purchased for $47 million by the #ApexSociety—twelve #billionaires who paid $50 million each to join the world's most exclusive club. Their entertainment? Hunting humans. For four years, 632 people were brought to the island, released into the jungle, and hunted like animals. Zero survivors. Until Marcus Webb—a homeless Marine veteran. Shot twice. He swam four miles through shark-infested waters and told FBI everything.
novelWriter 2.8 has been released.
The release includes a full colour theme revamp with proper dark/light switching and many new themes, and theme colours for your custom document labels. The release also adds Markdown highlight, current line highlighting, Vim mode in the editor, and a number of smaller improvements and fixes.
Le opere dell’artista contemporaneo KAWS, pseudonimo di Brian Donnelly, non passano di certo inosservate. Grandi sculture rappresentanti personaggi Disney o altri personaggi animati. Non possiamo non averle mai notate. Scopriamole meglio insieme.
Chi è KAWS
KAWS è lo pseudonimo di Brian Donnelly, artista, designer, pittore, scultore e graffitista statunitense, classe 1974. #artecontemporanea #firenze #themessage
sagrafica.it/le-opere-di-kaws/
New writing on my blog 🤍
#gazaverified #gaza @aseelsehwel@blog.gaza.onl
blog.gaza.onl/aseelsehwel/two-…
Two years had passed since my feet last touched the ground of Salah Al-Din...
Two years had passed since my feet last touched the ground of Salah Al-Din Street—the street I knew as well as the faces of my own family. It was once a quiet, familiar place, brimming with life: small houses leaning into one another, their windows open to the sound of children’s laughter, green fields stretching along its sides like a carpet of hope, and olive and palm trees that seemed to whisper, “Everything will remain.”Small, shimmering memories welled up inside me: laughter shared with friends under dappled shadows along the road, children chasing light-hearted dreams without fear, the scent of wild sage and warm za’atar manaqeesh drifting from open windows, and the call of the morning vendor, whose voice seemed to wake the street itself. I remembered the smell of lemon trees from hidden gardens, and summer evenings when families gathered outside their homes, sharing stories as dusk fell. Each of these details shone in my memory like a truth. A whole world lived here… a world that never imagined it could be uprooted.
The walk I imagined was short in distance but immense in weight—a journey not across a city, but across years of silence. Though I still lived within its orbit, the street itself had become a ghost limb: a part of me I could no longer feel, yet whose absence ached. With every step, I hoped to feel the familiar texture of memory return beneath my feet, to hear the faint pulse of the life that had once hummed there.
But when I finally arrived, the dream collapsed in a single moment. All that lay before me was rubble stripped of spirit, ash that had swallowed every color, a life erased by death. The houses were gone as if they had never been, the green fields ripped away, the trees torn out by their roots, and the earth that once promised hope had hardened into a silence that knew no mercy.
In the heart of the wreckage, names were written on the ruins—the names of martyrs buried without grace. Many of the rescue machines had been destroyed in the bombardment, leaving rescue teams with too few tools to reach those trapped beneath the rubble. Bodies remained beneath the debris, lives cut short, dreams left incomplete… And scattered among the stones: small shoes like broken butterflies, school notebooks open to sentences frozen mid-word, dolls torn without remorse. Everything here cried out mutely—a life interrupted, dreams shattered before their shape could be seen. The silence itself had grown loud, a scream of pain that no one else heard, every stone holding a story untold, a life un-lived. That silence felt heavier than death… heavier than any tear that could be shed.
How did it feel for the man who built a home, only to watch it turn to the rubble? How does a farmer stand before the land he tended year after year, now lying barren—no scent of soil, no whisper of harvest? How does a father tell his son the school he loved is gone, that the garden where he played is now only a rumor in the rubble? How does a mother walk through the ghost of a playground, finding a small shoe, a torn notebook, a toy she once mended? How do neighbors look at one another, wordless, knowing the world they shared has vanished?
And all of it wrapped in a thick, soundless vacuum—no laughter, no running feet, no vendor’s call, no fragrance of coffee greeting the dawn. Everything was quiet. Empty.
And yet—from within the ruin surrounding me, a fragile, honest question rose: After all this waiting… after all this breaking… can the soul survive? Can a heart that has seen such devastation ever beat lightly again? Can this street, even now, whisper: Come back. There is still a place for you here?
I stood among the ruins, breath caught in my chest, searching for any trace of what once was. I felt the ache in every stone, every corner, every fragment of memory. But beneath it, I sensed something small and unbroken: my own heart, still beating. And a faint, stubborn light—a quiet voice within: I am still here. I can still walk. I can still love this life, despite everything.
Perhaps the street will never return as it was. Perhaps the houses will not be rebuilt, nor the trees grow tall again. But I will go on. I will walk through the wreckage, carrying memory, carrying grief, carrying hope. I will look for signs that life persists—a child’s fleeting smile, an olive leaf pressed in dust, a ray of sun finding its way through broken walls. Just one thing matters—the quiet certainty that my heart still beats with this land, and that life, even now, is worth living.
I am Aseel, a writer from Gaza, living amid genocide and famine. Your support can help my family survive.chuffed.org/project/138285-hel…
Help Sehwel family with their medical treatment
I'm Joe in the UK, I've been in touch with Aseel from the Sehwel family for over a year now and have been following their difficult struggle to afford medication, shelter and food in Gaza.Chuffed
This story, by @WeirdWriter, was an emotional journey I didn't realise my heart needed me to take.
sightlessscribbles.com/the-col…
The Colonization of Confidence., Sightless Scribbles
A fabulously gay blind author.sightlessscribbles.com
no lie, there were some happy tears by the end.
Boosted, remembered to subscribe to @WeirdWriter's RSS feed. I'll strive for more when the day comes I'm back in a job that does more than almost pay my share of rent.
internationalistcommune.com/de…
"Wir schreiben diese Broschüre im Herbst, der Zeit des Wandels und der Lieblingsjahreszeit von Şehîd Bager Nûjiyan. Eine alte Zeit geht vorbei, um einer neuen zu weichen. Şehîd Bager ist am 14. Dezember 2018 durch einen Drohnenangriff des türkischen Staats in den Medya-Verteidigungsgebieten zum Märtyrer geworden.
I have an old phone with lineage OS installed
It's, as of now, e-waste.
I am looking for suggestions to make it do anything at all so that it is not e-waste anymore.
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John Selwyn Brooke Lloyd, minister van Buitenlandse Zaken, bij het staatsbezoek van de Britse koningin Elizabeth en haar echtgenoot prins Philip aan Nederland, Ridderzaal, Den Haag, Ed van der Elsken, 1958
#vandeBritse #Elizabeth #PhilipaanNederland #Ridderzaal #DenHaag #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
rijksmuseum.nl/en/collection/R…
Oprah Pursues Dr. Phil On Ship Through Arctic
theonion.com/oprah-pursues-dr-…
Oprah Pursues Dr. Phil On Ship Through Arctic
THE ARCTIC CIRCLE—With a vow to destroy the abomination she had created if it was the last thing she ever did, television host Oprah Winfrey has spent weeks on a ship pursuing Dr. Phil through the Arctic, sources reported Tuesday.The Onion Staff (The Onion)
Philippines : Un policier et un indicateur tués par la guérilla
secoursrouge.org/philippines-u…
"Un sergent-chef de la police du Negros Occidental a été tué lors d'un affrontement avec des membres de la Nouvelle Armée du Peuple (NPA) à Barangay Menchaca le 7 décembre."
Tannenbaum
Holy night
Deck the halls
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- Vincent van Gogh
RE: stranger.social/@lednaBM/11571…
It's weird how every time someone runs a UBI or GBI test like this, it always turns out positive. Like, I *never* see headlines saying "UBI Trial in Bumfucksburg, West Idaho Fails to Achieve Goals".
They always work, never fail.
It's almost like they're a good idea and we should move past the "trial" stage, hmm? 🤔
#UBI #UniversalBasicIncome #BasicUniversalIncome #GuaranteedBasicIncome #poverty
Guaranteed Basic Income Program In Rochester NY Deemed A Success | Crooks and Liars
crooksandliars.com/2025/12/gua…Guaranteed Basic Income Program In Rochester NY Deemed A Success
Professor Patrick Turner: “The GBI pilot was effective at providing cash to families and alleviating some of the immediate hardship they experience from having low incomes."Susie Madrak (Crooks and Liars)
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#Israel has claimed that #Iran is at fault for the attack in #Australia, however using a Facebook post, we can see that one of the attackers, Naveed Akram, learnt "Tajweed" (Quranic Linguistics) from a #Salafi teacher (who usually hate Iran)
This can be proven by reading the names of the books in the background, written by prominent #Wahhabi scholars, such as Bin Baz and Al-Uthaymeen.
#Terrorism #Propaganda #WarOnIran #Politics #AUpol #Hannuka
Don Ray
in reply to dillyd • • •dillyd
in reply to Don Ray • • •Yum, five stars, would eat here again
Denise G
in reply to Don Ray • • •Visited a relative’s house and asked where he got the wood to build his house. He explained that it was from trees that he cleared on his own property. Northern Texas.
#wood
@donray @dillyd
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dillyd
in reply to Denise G • • •Bryan Wright
in reply to dillyd • • •Carolannie
in reply to dillyd • • •Kolokoko Bird!
in reply to dillyd • • •dillyd
in reply to Kolokoko Bird! • • •Le Néandertal se sent las, las
in reply to dillyd • • •dillyd reshared this.
mel
in reply to dillyd • • •I saw a lot of this in socal, I figured it was bugs but was absolutely FASCINATED by the patterns, love your alt text 😊 glad I'm not the only one who had that thought - would make a good sci-fi story premise, "nature sending an encrypted message that we failed to decode" (but why was it encrypted? were they trying to warn us, or trying to keep a message to someone else, hidden FROM us? 🤔 )
I don't think I have a good pic, but one one hike I found a handheld-size portion of branch that had some of these patterns on it, kept it as a souvenir, still have it, just so frickin' cool ^_^
dillyd
in reply to mel • • •