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Black History Has the Power to Ignite Movements. That’s Why the Right Fears It.


I looked at the slave shackles in the exhibit. My ancestors wore chains like this one. A bone-deep sorrow hit. When I researched my family history, names began to vanish as I traced it to Indigenous and African slavery. Here, right in front of me was material proof of the horror they survived. What is my responsibility to them?

The Slavery and Freedom exhibit at the National Museum of African American History and Culture in D.C. is a soul-shaking experience. Going from the bottom level to the higher exhibits, visitors take the journey from slavery to freedom. I went years ago, and decided to go again with family and friends. During the government shutdown, the closed museum doors were symbolic of a larger right-wing attack. Donald Trump and the MAGA movement have censored Black history, pulled Black books, removed Black Lives Matters icons, and led to a mass firing of Black federal employees.



in reply to This is fine🔥🐶☕🔥

Of course the mental health team is bleeding talent, it's probably (initially) consisted of people that actually care about mental health, and they gradually figured out that no matter what they do or try, the technology they work for can only ever be a net negative on mental health. I would also wash my hands off it as fast as possible and go back to actually contributing to positive mental health.
in reply to This is fine🔥🐶☕🔥

Yes, it started when they gutted the non-profit oversight and charter. The illness is called capitalism.


Passeggiata lungo la Via dei Pianeti di Faenza - I Weekend della Scienza 2025


30 novembre 2025 14:30:00 CET - GMT+1 - Punta degli Orti - Parco Veniero Lombardi, Faenza, Emilia-Romagna, Italia
Nov 30
Passeggiata lungo la Via dei Pianeti di Faenza - I Weekend della Scienza 2025
Dom 14:30 - 15:30
Gruppo Astrofili Faenza APS

Nell'ambito dei Weekend della Scienza 2025, domenica 30 novembre, dalle ore 14:30, il Gruppo Astrofili Faenza organizza una visita guidata alla Via dei Pianeti: il modello in scala 1:un miliardo del Sistema Solare, con il Sole di 1,4 metri di diametro da immaginare sulla Rotonda 100km del Passatore. Il percorso si sviluppa verso il centro di Faenza lungo Via Firenze, proseguendo in Piazzale Sercognani e sulla pista ciclabile per Granarolo Faentino, fino all'incrocio con Via Gubbio

www.astrofaenza.it/via-dei-pianeti

Ritrovo: alle 14:30 presso il Parco Veniero Lombardi - Punta degli Orti, in zona Rotonda 100km del Passatore (Bocche dei Canali). A seguire, camminata di circa 1,5km partendo dalla targa del Sole nei pressi della rotonda, per poi proseguire visitando le targhe dei pianeti lungo Via Firenze da Mercurio a Saturno, nei pressi del cimitero.

🌞🔭 Osservazione del Sole: condizioni meteo permettendo, alla partenza saranno messi a disposizione del pubblico strumenti opportunamente protetti per osservare in sicurezza il Sole, tra cui alcuni telescopi solari per osservare la cromosfera, le protuberanze e le macchie solari

La partecipazione è gratuita, ma è necessaria la prenotazione attraverso un messaggio privato, oppure usando i contatti disponibili sul sito www.astrofaenza.it

I Weekend della Scienza sono una serie di eventi aperti al pubblico, organizzati nel periodo da ottobre a dicembre, da Casa Museo Raffaele Bendandi, Gruppo Astrofili Faenza APS, Museo Civico di Scienze Naturali Malmerendi, Museo Torricelliano e Palestra della Scienza APS. Il programma completo è disponibile su www.palestradellascienza.it/cms/images/eventi/2025/WeekendScienza2025.pdf

Questa voce è stata modificata (3 settimane fa)


in reply to themachinestops

We need the disclosures now to slow the pace of the bullshit taking over, but it will not be stopped.

I mean, fuck, at this point if they're using photoshop to extend a background, it's AI. It'll just end up becoming the California this contains items known to cause cancer logo all over again. It's still the right thing to call it out, but everything, in short order, will require the label.

So why the fuck are they fighting to not do it? I'll be a couple of billable hours and everyone and their brother will either disclose that they're doing it or lie about it and we can move on with life.

in reply to themachinestops

It's a pity other platforms, especially social media / video platforms don't require full disclosure of use of AI. It might allow a lot of AI slop and misinformation to be eradicated, downvoted, or at least call itself out.

in reply to 1984

"You want to know how to combat your depression? Sure, but what about a cold Pepsi first?"
in reply to 1984

This is interesting, because “add ads” usually means margins are slim, and the product is in a race to the bottom.

If ChatGPT was the transcendent, priceless, premium service they are hyping it as… why would it need ads?



in reply to Sahwa

Its always manufactured scarcity with RAM. Seriously how many times have we been through this?
in reply to Harvey656

Yes and no. It’s more that there is a lag time between demand and supply. So the scarcity is “manufactured” but simply because the manufacturer rolled the dice on the demand and lost.

Keep in mind, many manufacturers aren’t selling for more to stores when this happens, they typically have a contract setting a price.

Now, can the manufacturer back out of this contract and demand a higher price? It really depends on the contract wording. You can’t really be forced to sell things unless a specific number of items was part of the contract.

in reply to Sahwa

When I was doing work experience in around 1995, I did mine at a local computer firm. A few days in, the doorbell rang. I looked over at the security camera. It was four lads in balaclavas.

I thought we were going to get robbed. The boss opened the door, put his hand over the camera, and returned a few seconds later with his hands full of SIMMs. Which he dropped on the table in front of me.

"Test these will you" he said, and that was it. That's what memory theft was like. A bunch of lads breaking into offices, nicking the RAM from the PCs, and selling it local computer shops who would sell it right back to the offices they stole it from.

Not one guy having an expensive package stolen at random.



Post full of swear words and anger

Sensitive content

Questa voce è stata modificata (3 settimane fa)



No, your favourite influencer hasn't got a dozen dachshund dogs. It's just AI


archive.is/FvGdv

::: spoiler spoiler
When scrolling through social media recently, you might have noticed posts which seem a bit… off.
Grainy CCTV footage of a dog saving a child from a bear attack, a video of wild bunnies on a trampoline or a picture of a Christmas market outside Buckingham Palace.

It's all AI generated and due to its low quality and its inauthenticity, it's being branded AI "slop".
Both social media users and content creators say they're worried that AI slop flooding feeds is leading to a less authentic online experience - and is drowning out real posts.

But a new trend, which sees people adding AI-generated animals to original photographs, has encouraged some content creators to embrace AI.

"I was like, that's really niche because it looks so real," influencer Zoe Ilana Hill says.
The 26-year-old jumped on the trend after being impressed by the imaginative way another content creator had used AI, by editing some of her original photos and adding AI dogs.
"I don't want to see it [AI] as a threat to my career, I want to see it as something I can work alongside with," the full-time influencer says.

Zoe, who has 82,000 followers, says she feels like platforms such as Facebook, Instagram and TikTok are trying to "push" and "force AI" on users, and has seen her fair share of slop her own feed.
But she saw potential in the AI animal trend, adding that she suspected the post would perform well as she thought social media users would "be like, oh my God, she's holding a deer".
"The deer is so seasonal and that is so rare to be actually able to go and physically see a deer in person," she says.

Zoe says her post was a success - with more than 20,000 likes and comments including: "No stop this is the cutest thing ever" and "this trend is adorable!!!!"
Whenever Zoe posts a photo made with AI, she likes to make it clear it's a generated image, "there is actually a tag [on Instagram] where you can say this photo was created by AI".
"I don't think it's fair for people to think that something's real when it's not."

When influencers don't disclose the use of AI - it can cause confusion.
That was the case with one German influencer, with 900,000 followers, posted a picture with dozens of AI dalmatians captioned: "just me, living my dream".
One user commented asking: "Is it AI? I saw a post like this three times today."
Another replied concerned for the generated animals' welfare, adding "there are plenty of dogs sitting in animal shelters who would like to have a nice home".

Hot girls have started using AI," wrote one X user discussing the trend by sharing animal photos from various influencers in a post viewed almost 27 million times.
But not everyone sees using AI this way as harmless fun.
Another X user responded: "They are not hot because they use AI for mindless slop that could easily be done by hand with Photoshop."
Clara Sandell, a marketing professional and digital creator from Finland took part in the trend after she saw it "everywhere" and found the posts "so cute".
"I kind of put my own twist [on the trend], I used my spirit animals and my favourite animals," the 38-year-old adds.

Clara posted a carousel photo on Instagram with tigers, an elk, a horse, and cats and dogs.
Reaction from the photos were positive, with many labelling the post as "chic" and "beautiful".
When asked if she would participate in future AI trends she replied "depending on how cute the trend is," and if it was transparent so that you can "see it's AI" being used.

For content creators looking to create high-quality images, social media consultant Matt Navarra thinks that AI makes it easier to produce "fantastical high gloss" and "aesthetic" content for influencers, "whether it's wild animals generated, through to something that's much more believable".
Whilst some of the AI content we see online is unrealistic and evidentially not real, Mr Navarra says "most people who are serious about being a creator or an influencer want to maintain a reputation".
He believes many creators are "doubling down on the realness" to give themselves a place on the feed amongst "a sea of AI-generated content which is flooding or AI slop as it's been termed".
The consultant says he predicts 2026 will be the year of AI dominated content on social media, adding: "If you thought that AI animal content was quirky, I think buckle up".

But not everyone will be pleased to hear this.
Maddi Mathers, a tattoo artist from Melbourne commented "love you but not the AI" under the same German influencers post who created the AI dalmatians.
Commenting isn't something that Maddi, who describes herself as a "very silent social media user" would normally do.

But when the tattoo artist first saw the photo, she believed it was real before but scrolling through the posts revealed the cute dalmatians were "obviously very fake".
"Honestly, it's such a simple thing but it makes you feel dumb when you get fooled by AI," the 25- year-old explains.

Maddi says such AI posts create an element of mistrust because "there's such an importance of being true to yourself and showing your true personality" when being an influencer.
She believes that when creators put out content that isn't real it can be "damaging for their career" as their audience "won't know what to believe anymore".

AI slop isn't necessarily a bad thing - "but the speed and volume of what we're creating" is what concerns creative health scientist Katina Bajaj.

"When we're creating and consuming AI-generated content at such a rapid pace, we aren't giving our brains enough time to digest," Mrs Bajaj says.

She explains that from her perspective, the solution to AI slop isn't to ban it or "look down upon AI tools," but to "prioritise and value our creative health more than generating endless content".
There is currently no requirement "to label images that have been created or altered with AI" on Instagram, according to Meta's policy.

However, "images will still receive a label if Meta's systems detect that they were AI-generated".
TikTok has recently launched a new tool which allows users to shape their feed - this includes being able to see more or less AI generated content.

The 'Manage Topics' feature is intended to help people tailor their 'for you page' to ensure users have a range of content in their feed, rather than removing or replacing content entirely.

There is a lot of AI software that can be used to make this trend, but not all can create the flawless content social media is portraying.

Emily Manns, a fashion content creator from the US, didn't quite get what she bargained for when she bought multiple AI apps to join in with the trend and received "one single rodent" in what was meant to be an aesthetic photo.

"I don't even know what [the animal] was," said the 34-year-old.

"It [the photo] took like 2 minutes to load, and when it loaded, I was peeing my pants of laughter."
The app also added an extra finger onto the influencers hand, and distorted her face.

Emily says she posted the photo to her Instagram but "deleted it instantly" because the content wasn't engaging very well.
:::



Alight Motion – The Ultimate Mobile Editing App for Creators


Alight Motion has become one of the most popular video editing and motion graphics apps for mobile users. Whether you are a beginner or an advanced editor, this app gives you all the tools you need to create smooth, professional, and eye-catching videos directly from your phone.

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• Keyframe Animation
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• Visual Effects (VFX)
From glow and blur to color effects and distortions, Alight Motion offers a wide range of effects that help your videos look modern and attractive.

• Text & Graphics Editing
Add stylish fonts, animated text, vector shapes, and custom graphics to make your edit stand out.

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Export in different resolutions and frame rates, including HD and 4K. You can also save your edits as GIFs for social media.

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Whether you're a TikTok editor, Instagram creator, YouTuber, or someone who loves making aesthetic videos, alight motion mod apk pro unlocked helps you turn simple clips into professional-quality content.

Final Thoughts

Alight Motion is more than just a video editing app — it’s a complete creative studio in your pocket. With its professional tools and easy-to-use interface, anyone can bring their ideas to life and create stunning visuals anytime, anywhere. If you want your videos to look smooth, modern, and aesthetic, Alight Motion is the perfect choice.

Technology reshared this.



MAGA's Epstein gaslighting is unsustainable


Trump, the White House, and congressional Republicans have spent nearly the entire first year of the president’s second term pushing an ever-expanding number of contradictory narratives about not just what’s in the files, but why Democrats and even staunch conservatives like Rep. Thomas Massie have been demanding their release.

There’s a very simple reason for this: Trump and Republicans have no idea how to cover for a president who is clearly all over the files.



Hegseth defends strikes after WaPo ‘kill everybody’ story: ‘Fake news’


Defense Secretary Pete Hegseth on Friday defended the U.S. military’s recent strikes on alleged drug-trafficking boats in response to a recent report from The Washington Post.

“As usual, the fake news is delivering more fabricated, inflammatory, and derogatory reporting to discredit our incredible warriors fighting to protect the homeland,” Hegseth said Friday evening in a post on the social platform X.

https://thehill.com/policy/defense/5626054-defense-secretary-defends-drug-strikes/



World Socialist Web Site to launch Socialism AI




Aluminium OS will be Google’s take on Android for PC


"A job listing reveals the first details of Google’s fusion of Android and ChromeOS. "

"We know a little more about Google’s long-gestating plans to combine the best parts of Android and ChromeOS into a single OS thanks to a job listing for a product manager to work on 'Aluminium OS.' The job ad describes it as 'a new operating system built with Artificial Intelligence (AI) at the core.'"

Technology reshared this.

in reply to moretruth

Who wants to click on an icon to open a program when you could just type in the program you want and have it guess what to open amirite?



Bolkestein, balneari in protesta per le concessioni


[url=https://genovaquotidiana.com/2025/11/29/bolkestein-balneari-in-protesta-per-le-concessioni]https://genovaquotidiana.com/2025/11/29/bolkestein-balneari-in-protesta-per-le-concessioni[/url] Al centro della protesta c’è la lettura delle norme europee s

genovaquotidiana.com/2025/11/2…

Al centro della protesta c’è la lettura delle norme europee sulle concessioni. «Le concessioni sul demanio marittimo precedenti al 28 dicembre 2009 e successivamente prorogate non devono rientrare nel campo della Bolkestein, e a stabilirlo è la Corte di giustizia europea – sottolinea Elvo Alpigiani, coordinatore provinciale Fiba Confesercenti –. La Corte precisa che il rinnovo di una concessione di occupazione del demanio pubblico marittimo si traduce nella successione di due titoli di occupazione e non nella proroga del primo. La proroga è la continuazione di un rapporto già esistente, non un nuovo titolo».



Farinata ligure


La Farinata ligure: croccante fuori, morbida dentro. Un piatto povero, ma irresistibile. Provala calda! 😋
▶️ visitriviera.info/mangiare/far…
#streetfood #farinata #genova #visitriviera #iloveliguria #liguria

mastodon.uno/@visitriviera/115…

@visitriviera@mastodon.it



Debate sparks after OU student's essay citing Bible gets failing grade


This is a huge meltdown in conservative circles, and considering how spineless the OU administration is, they’ll probably end up nixing the professor. They are currently working on getting rid of the African American studies department as is.



Steven Wilson - Hand. Cannot. Erase. (2015)


Per certi artisti è già abbastanza difficile trovare la propria voce, una forma espressiva che permetta di trasferire liberamente il proprio sentire all'altro. Non che la vena creativa di Steven Wilson fosse sacrificata all'interno dei Porcupine Tree, ma quella voce, che solo in certi sparuti episodi in studio emergeva con assoluta limpidezza, non poteva più rimanere confinata... Leggi e ascolta...


Steven Wilson - Hand. Cannot. Erase. (2015)


immagine

Per certi artisti è già abbastanza difficile trovare la propria voce, una forma espressiva che permetta di trasferire liberamente il proprio sentire all'altro. Non che la vena creativa di Steven Wilson fosse sacrificata all'interno dei Porcupine Tree, ma quella voce, che solo in certi sparuti episodi in studio emergeva con assoluta limpidezza, non poteva più rimanere confinata. Tra gli evocativi scenari post-seventies (ma ultimamente neanche troppo) dello storico progetto si celava un anelito molto più profondo: il desiderio di liberare quella “nostalgia factory” dagli schemi che il lavoro in gruppo inevitabilmente generava... artesuono.blogspot.com/2015/03…


Ascolta il disco: album.link/s/6P7vL4vGgyrD7q9VR…


HomeIdentità DigitaleSono su: Mastodon.uno - Pixelfed - Feddit




Matrix Retiring the Slack Bridge by January


Bridges are one of the reasons Matrix is called Matrix: let’s matrix all the networks together! They are key to onboard new users into the network. However, maintaining and operating bridges, in particular to closed, proprietary platforms, is expensive: they need to be kept up to date with any change made by the platform on a regular basis and they’re fiddly to keep up and running.

The Matrix.org Foundation has been hosting a free of charge Slack bridge for users of the matrix.org server for several years. The code of the bridge belongs to the Foundation, hosted under its GitHub workspace, but the bulk of the maintenance was done by Element. Maintaining and operating bridges to closed, proprietary platforms such as Slack comes at a high cost, both financially and in terms of reliability as they are subject to change without notice. The bridge has been unmaintained for some time now, and this has led to degraded functionality and inconsistent performance for users. While we understand that some people still find it useful in certain cases, it is not right to continue providing a service that we know does not meet the standards expected of matrix.org.

This is why, without enough customers paying for it and despite the efforts of the community trying to help, Element will not continue to maintain this bridge. As a result, the Foundation will no longer provide this service to matrix.org users. We want to thank Element for all these years of graciously maintaining a bridge for us.




Do you think 20 is too young for a guy to get married?


I’m 19 now and engaged to my 17-year-old girlfriend, whom I’ve been with for three years. We have a wedding planned for September 2026. It has always been my dream to have a family of my own, and that motivated me to propose: why wait if you know what you want? Thankfully, my parents are supportive, and I’m aware that without them, none of this would be possible at our age.
in reply to aquietkindofjoy

My parents did that. Results were not pretty.

Why the hurry? She's not running away, and if she were, then marrying wouldn't solve that.



New to Linux which OS to use?


Finally making the transition from Windows to a Linux. I'm pretty sure it's been asked several times but which Linux OS would you recommend a beginner to use? I've seen Ubuntu and Mint as a good start. Not looking to do much. Game here and there (not too worried about Linux compatibility), streaming, editing videos. If I break any rules. I'm sorry.
in reply to TheMilk

Seems like Mint is the consensus and I don't disagree. Just some things to consider when choosing:

  1. Desktop Environment/Window Manager (DE/WM) this is the software responsible for displaying your desktop and managing the opening and closing of graphical windows. Window managers are very bare-bones and might offer an experience significantly different than Windows. (See tiling WMs). Desktop environments do the same and more, and are often bundled with launchers and useful default programs like terminals and editors.
  2. Package manager. Package managers are responsible for managing your installed software. There are a variety of options, and distros typically will choose one as their default. Pacman for Arch, Aptitude for Debian, RPM for RedHat, and others. These are mostly interchangeable for the end user, but each has slightly different commands and frontends. So just be aware there will be a bit of an extra learning curve moving from a distro that uses one to a distro that uses another.
  3. Release cycle. Different distros offer different styles of releasing updates. Ubuntu and Debian periodically release updates in a cycle with major and minor releases. Some releases are marked for long term support and others marked as short term. Upgrading releases has been hit or miss for me, so I prefer rolling release distros. These distros don't distinguish major releases and simply upgrade in place. Each has it's own advantages, just be mindful of how often you will have to upgrade.
Questa voce è stata modificata (3 settimane fa)
in reply to HuntressHimbo

Package manager. Package managers are responsible for managing your installed software. There are a variety of options, and distros typically will choose one as their default. Pacman for Arch, Aptitude for Debian, RPM for RedHat, and others. These are mostly interchangeable for the end user, but each has slightly different commands and frontends. So just be aware there will be a bit of an extra learning curve moving from a distro that uses one to a distro that uses another.


RedHat uses dnf, RPM is the package format.

Apt sucks, pacman is ok, dnf is the best, history and rollback are great.

in reply to TheMilk

Whatever beginner friendly distro you choose, I suggest you use it as if you were a grandma, especially if you have experience in troubleshooting Windows. It's natural to try to find the solution to a problem by doing a Google search, but first of all Linux changes quickly, so solutions that are older than 2 years may be outdated, over 5 years they likely are, and they may apply to different distros than yours, so be careful. Always check your DE's settings app first, those have gotten really good in the last few years.
Don't be afraid to ask in chatrooms if your distro has any, the myth of the rude Linux community is just that, a myth.


US teen Mohammed Ibrahim released from Israeli prison after nine months


Mohammed’s release on Thursday came after a months-long pressure campaign from United States lawmakers and civil rights groups.

The teenager from Florida was 15 years old in February when he was arrested and taken from his family home in the town of al-Mazraa ash-Sharqiya, near Ramallah. He turned 16 while being held in Israeli jail, where he drastically lost weight and contracted a skin infection.

Last month, 27 US lawmakers joined a letter urging the Trump administration to push Israel to free him. Individual legislators, most prominently Democratic Senator Chris Van Hollen, have also been raising awareness for the case and demanding Mohammed’s release.



​”Donna, Io”: i racconti sulla violenza di genere e la lotta delle donne

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Donna io

Title:
Donna, io

Author:
AA.VV.

Genre:
antologia di racconti

Publisher:
Ciclope Lettore

Release Date:
aprile 2024

Pages:
184

Source:
ciclopelettore.com/donna-io/

“Donna, Io” è un’antologia di racconti sulla violenza di genere che analizza il dominio maschile e la crisi del possesso. Un manifesto per l’autodeterminazione delle donne e un appello per l’educazione all’affettività come via di rinascita e prevenzione.

“Donna, Io”: il mosaico dell’esperienza femminile sotto il patriarcato

Un coro di racconti per l’universalità della violenza di genere


“Donna, Io” non è un saggio, né un romanzo singolo, ma una potente antologia che convoca un coro di voci per affrontare il tema della violenza di genere. Questa struttura a mosaico è la sua prima forza: la varietà di autori e stili narrativi non disperde il messaggio, ma ne rafforza l’universalità e la pervasività. Attraverso racconti brevi e intensi, l’opera scompone il fenomeno in tante schegge di vita, rendendolo palpabile e intimo.
La prefazione stessa, delineando la donna come “Madre, amica, sorella, figlia a volte moglie o compagna e tanto altro,” anticipa che le storie che leggeremo non appartengono a un unico profilo di vittima, ma attraversano ogni ruolo e contesto sociale. I racconti ci mostrano la violenza domestica in contesti apparentemente “normali”, l’abuso vissuto dalla professionista come dalla casalinga, dalla giovane alla donna adulta. Questa polifonia è essenziale per superare gli stereotipi di genere che vorrebbero confinare la violenza in specifiche fasce sociali, dimostrando invece che essa è la trama comune di troppe esistenze femminili. L’antologia si pone così come uno specchio che riflette l’intera società italiana, rendendo il libro uno strumento fondamentale per il dibattito femminista e la prevenzione.

Quando il dominio maschile incontra la libertà femminile


Se l’antologia stabilisce che la violenza di genere è la trama comune, il sottotesto unificante è lo scontro tra il dominio maschile e l’affermazione della libertà femminile. I racconti di “Donna, Io” rivelano che la violenza non nasce dal nulla, ma è spesso l’ultima, disperata risposta a una donna che sta esercitando la sua autodeterminazione, minacciando così il sistema patriarcale su cui si fonda la crisi del possesso.

Ogni storia diventa, in questo senso, la cronaca di un atto di resistenza. I personaggi femminili sono puniti non per ciò che fanno di male, ma per ciò che fanno per sé: cercare indipendenza, prendere decisioni, o semplicemente voler “essere vita, essere libertà”. La prefazione, citando il movimento di lotta nato in Iran nel 2022 a seguito della morte di Mahsa Amini, sposta subito il focus dal trauma individuale alla dimensione politica della resistenza, suggerendo che il libro intero sia un manifesto di libertà. I racconti illustrano vividamente come l’atto violento sia l’espressione massima di chi, non potendo più controllare la donna, tenta di annullarla, confermando che la violenza è una reazione alla perdita percepita di potere e non una questione di amore malato.

Anatomia della violenza e forme invisibili fino al femminicidio

Violenza psicologica e controllo coercitivo


​La raccolta di racconti “Donna, Io” offre uno sguardo crudo sulla progressione dell’abuso, dimostrando che il danno fisico è spesso l’epilogo di una distruzione silenziosa. Molte storie si focalizzano sull’escalation lenta e i maltrattamenti non fisici, che fungono da prologo. L’obiettivo comune dei carnefici descritti è minare l’autostima e l’identità della donna attraverso la violenza psicologica. I lettori riconosceranno le dinamiche di controllo coercitivo: l’isolamento dagli amici e dalla famiglia, le accuse costanti e, in alcuni casi, il gaslighting – quell’arma sottile che porta la vittima a dubitare della propria sanità mentale. Evidenziare questi racconti è cruciale per il dibattito femminista, poiché insegna a riconoscere i segnali d’allarme prima che sfocino nella violenza fisica aperta.

La trappola della violenza economica


​Un altro tema trattato con lucidità nella raccolta è la violenza economica, uno strumento subdolo di controllo coercitivo che rende la fuga una prospettiva terrificante. I racconti che si addentrano in questo aspetto sono fondamentali perché demoliscono il mito dell’indipendenza come unica via di salvezza. Le storie illustrano vividamente donne che vengono allontanate dal lavoro, private dell’accesso ai conti bancari o costrette a chiedere denaro per ogni spesa. La dipendenza finanziaria creata artificialmente funge da trappola, rendendo l’autonomia un sogno irrealizzabile. Sottolineare questi episodi nella recensione aiuta a sensibilizzare il pubblico sulla natura onnicomprensiva del dominio maschile, che si esercita tanto con un pugno quanto con la negazione di una carta di credito.

Femminicidio e la crisi del possesso e la negazione della soggettività


​La parte più tragica dell’antologia è inevitabilmente quella che affronta il femminicidio, l’atto estremo che sancisce il fallimento di ogni relazione basata sul dominio maschile. In “Donna, Io”, i racconti che culminano in questa violenza fatale servono a smascherare la retorica dell'”amore criminale”. In realtà, mostrano l’omicidio come l’epilogo di una profonda crisi del possesso.

​I testi evidenziano quella che è stata definita la “spocchiosa risposta dell’uomo narcisista”: l’incapacità di tollerare che una donna possa reclamare la sua autodeterminazione o persino assumere posizioni di potere e indipendenza. Quando il controllo coercitivo fallisce e la donna esprime la sua libertà femminile, il femminicida agisce per punire la disubbidienza e ripristinare simbolicamente il suo ordine. Queste storie non sono solo cronaca di morte, ma un’analisi della mentalità che percepisce la donna come una sua proprietà. Leggere questi finali drammatici nell’ottica della crisi del possesso è cruciale per il dibattito femminista, poiché sposta la responsabilità dalla “passione” alla violenza strutturale e intenzionale.

La crisi del possesso e la negazione della soggettività


​La parte più tragica dell’antologia è inevitabilmente quella che affronta il femminicidio, l’atto estremo che sancisce il fallimento di ogni relazione basata sul dominio maschile. In “Donna, Io”, i racconti che culminano in questa violenza fatale servono a smascherare la retorica dell'”amore criminale”. In realtà, mostrano l’omicidio come l’epilogo di una profonda crisi del possesso.

​I testi evidenziano quella che è stata definita la “spocchiosa risposta dell’uomo narcisista”: l’incapacità di tollerare che una donna possa reclamare la sua autodeterminazione o persino assumere posizioni di potere e indipendenza. Quando il controllo coercitivo fallisce e la donna esprime la sua libertà femminile, il femminicida agisce per punire la disubbidienza e ripristinare simbolicamente il suo ordine. Queste storie non sono solo cronaca di morte, ma un’analisi della mentalità che percepisce la donna come una sua proprietà. Leggere questi epiloghi nell’ottica della crisi del possesso è cruciale per il dibattito femminista, poiché sposta la responsabilità dalla “passione” alla violenza strutturale e intenzionale.

Il contro-racconto tra rinascita sorellanza e rivoluzione culturale

Il volo verso Barcellona, la rinascita e il percorso interiore​


Nonostante la dolorosa analisi del dominio maschile, “Donna, Io” non è un libro che si arrende al trauma; al contrario, propone un potente contro-racconto di speranza e resilienza. La rinascita è il filo rosso che lega i racconti di uscita e liberazione, rappresentata in modo emblematico dall’episodio della donna in fuga che prende un volo per Barcellona. Questa scena, in cui Janette Elena, con i lividi ancora freschi, guarda le luci del continente svanire, cristallizza il momento di svolta: “Finalmente poteva rinascere, ricominciare”.

​Il libro ci ricorda che l’autodeterminazione non è solo un concetto teorico, ma un percorso concreto, spesso iniziato con un atto di rottura radicale. La fuga descritta non è solo un viaggio materiale, ma l’inizio di un viaggio interiore necessario per superare le paure e le insicurezze lasciate dai maltrattamenti. Questi epiloghi positivi sono fondamentali per il dibattito femminista, poiché mostrano che le storie non sono solo dolore e denuncia, ma soprattutto vie d’uscita e l’affermazione finale della soggettività femminile sulla violenza subita.

Educazione all’affettività e la proposta di cambiamento culturale


L’elemento di maggiore prospettiva offerto da “Donna, Io” non risiede solo nella denuncia, ma nella sua proposta proattiva e lungimirante: la necessità di una vera e propria rivoluzione culturale che trovi le sue fondamenta nell’educazione all’affettività. Attraverso il doloroso campionario di racconti – che mostrano l’origine della violenza nel dominio maschile e nella crisi del possesso – il libro lancia un appello chiaro: è inutile intervenire solo a valle, con misure punitive.​

I maltrattamenti e le tragedie narrate diventano strumenti didattici per illustrare perché e come si formano le dinamiche tossiche. La raccolta suggerisce che l’unico cambiamento definitivo può avvenire attraverso la formazione delle nuove generazioni. Insegnare l’affettività significa insegnare innanzitutto il consenso, il rispetto della libertà femminile e il riconoscimento dell’altro come soggettività e non come proprietà. Questo appello trasforma l’antologia da opera letteraria a manifesto programmatico per il dibattito femminista, focalizzato sulla prevenzione e sulla costruzione di un futuro in cui la violenza di genere non sia più la trama comune.

La sfida della vittimizzazione secondaria​


La forza dei racconti di “Donna, Io” non si esaurisce nella descrizione della violenza privata, ma si estende alla critica di un sistema che troppo spesso fallisce nel tutelare le vittime. Sebbene la rinascita e l’autodeterminazione siano possibili, il libro non ignora il difficile rapporto delle donne con le istituzioni. ​

Molti epiloghi e passaggi intermedi narrano, implicitamente o esplicitamente, la frustrazione, lo scetticismo o la sfiducia incontrata dalle donne quando tentano di denunciare o di ottenere tutela legale. La vittima, dopo aver subito il maltrattamento e la violenza psicologica da parte del partner, si trova a dover affrontare il trauma di essere messa in discussione o non creduta dalle forze dell’ordine o dalla magistratura. La raccolta, dunque, serve a sollevare una domanda fondamentale per il dibattito femminista: come possiamo garantire una giustizia per le donne che sia autenticamente empatica e che sostenga, invece di minare, il difficile percorso verso la libertà? L’antologia, in questo senso, è un appello non solo alla rivoluzione culturale (tramite l’educazione all’affettività), ma anche alla riforma del sistema giudiziario.

#femminismo #narrativa #raccoltaDiRacconti

Questa voce è stata modificata (3 settimane fa)


UK allowed arms exports to UAE after being told weapons given to RSF


The British government approved weapons exports to the United Arab Emirates even after being told that the UAE had diverted UK military equipment to paramilitaries accused of committing genocide in Sudan, it has emerged.

It was reported last month that British-manufactured small-arms target systems and engines for armoured personnel carriers were found in Rapid Support Forces (RSF) hands in combat zones in Sudan.

MEE has previously revealed that the UAE provides the RSF militia with extensive logistical and military support.



Ukraine: Europeans push back on US plan during Geneva talks – DW – 11/24/2025




Apertus: Switzerland government release a fully open, transparent, multilingual language LLM


“Apertus: a fully open, transparent, multilingual language model EPFL, ETH Zurich and the Swiss National Supercomputing Centre (CSCS) released Apertus 2 September, Switzerland’s first large-scale, open, multilingual language model — a milestone in genera

"Apertus: a fully open, transparent, multilingual language model

EPFL, ETH Zurich and the Swiss National Supercomputing Centre (CSCS) released Apertus 2 September, Switzerland’s first large-scale, open, multilingual language model — a milestone in generative AI for transparency and diversity.

Researchers from EPFL, ETH Zurich and CSCS have developed the large language model Apertus – it is one of the largest open LLMs and a basic technology on which others can build.

In brief
Researchers at EPFL, ETH Zurich and CSCS have developed Apertus, a fully open Large Language Model (LLM) – one of the largest of its kind.
As a foundational technology, Apertus enables innovation and strengthens AI expertise across research, society and industry by allowing others to build upon it.
Apertus is currently available through strategic partner Swisscom, the AI platform Hugging Face, and the Public AI network.
...

The model is named Apertus – Latin for “open” – highlighting its distinctive feature: the entire development process, including its architecture, model weights, and training data and recipes, is openly accessible and fully documented.

AI researchers, professionals, and experienced enthusiasts can either access the model through the strategic partner Swisscom or download it from Hugging Face – a platform for AI models and applications – and deploy it for their own projects. Apertus is freely available in two sizes – featuring 8 billion and 70 billion parameters, the smaller model being more appropriate for individual usage. Both models are released under a permissive open-source license, allowing use in education and research as well as broad societal and commercial applications.
...

Trained on 15 trillion tokens across more than 1,000 languages – 40% of the data is non-English – Apertus includes many languages that have so far been underrepresented in LLMs, such as Swiss German, Romansh, and many others.
...

Furthermore, for people outside of Switzerland, the external pagePublic AI Inference Utility will make Apertus accessible as part of a global movement for public AI. "Currently, Apertus is the leading public AI model: a model built by public institutions, for the public interest. It is our best proof yet that AI can be a form of public infrastructure like highways, water, or electricity," says Joshua Tan, Lead Maintainer of the Public AI Inference Utility."

in reply to Cooper8

in reply to Cooper8

Another argument in favor of living in a police state of rich blokes doing banking for mafia and dictators, which doesn't need any surveillance because police already sees everything, and what it doesn't notice, it chooses not to, and also it can legally bend you over when required. I mean, OK, nobody's inviting, LOL.

I mean, seriously I like such news, every polity gets its turn to be a force for good.

There's even been news of an attempt by a group of Swiss politicians to create a committee on Nagorno-Karabakh refugees' return and future political existence.

And they are propping up Taler.

Just - I value this family of technologies for one main trait, it's destructive to superficial authorization. As in - where in the olden days bot campaigns in social media could just work, possibly unnoticed, now you can be certain it's mostly bots unless you can't transparently establish connection to a person, backed by cryptography.

But OK, a public confirmation bot is good, especially if it talks in your Jura dialect unintelligible not just to me, but to most native German speakers.





Japan reaffirms plan to deploy missiles to area near Taiwan


Japan’s defense minister, visiting a military base close to Taiwan, said plans to deploy missiles to the post would move forward as tensions smolder between Tokyo and Beijing over the East Asian island.

“The deployment can help lower the chance of an armed attack on our country,” Shinjiro Koizumi told reporters on Sunday as he wrapped up his first trip to the base on the southern Japanese island of Yonaguni. “The view that it will heighten regional tensions is not accurate.”

The plan to station medium-range surface-to-air missiles on Yonaguni, about 110 kilometers east of Taiwan, comes as part of a broader military build-up on its southern island chain. The moves reflect Tokyo’s concerns about China’s growing military power and the potential for a clash over Taiwan.

Non-paywall link



Anyone tried Syncthing Tray on Android?


After the whole Syncthing-Fork debacle, I’ve been considering what to do, and I discovered that Syncthing Tray has experimental Android builds. I’ve noticed the UI is kind of buggy (not really a surprise since they’re experimental builds), so I was wonder
After the whole Syncthing-Fork debacle, I've been considering what to do, and I discovered that Syncthing Tray has experimental Android builds. I've noticed the UI is kind of buggy (not really a surprise since they're experimental builds), so I was wondering if anyone has actually used it and could provide a comparison with Syncthing-Fork. I'm especially interested regarding battery life and so on given that that was the main benefit of Syncthing-Fork over the original app anyway before the original app got discontinued, and obviously I'd like to know if it syncs well or if there are any weird issues.
in reply to zeca

How viable would that be? Can it also just run in the background like the actual app?

in reply to xc2215x

Normally I’d question why, since often the strategy is to plead the 5th and run out the clock with boring testimony.

But this arrogant ass, given his BBC interview, should be on prime time.



in reply to Bidah

Lol. I think FIFA demand a pile of money from people integrating the live streams into their platforms. We should start the fundraiser soon.

And I think I'm going to boycott the world cup 2026, so make this the women's world cup in 2027.

Questa voce è stata modificata (3 settimane fa)
in reply to Bidah

Ignore the people saying "do this from your own instance."

Peertube needs more content across the board.