A cargo plane previously linked to the supply of weapons to UAE-backed fighters in Sudan and Libya has made a number of flights in recent days between military bases in Abu Dhabi, Israel, Bahrain and Ethiopia, Middle East Eye can reveal.

While the purpose and any connection between the flights is unclear, they have taken place against the backdrop of a spiralling power struggle between the UAE and Saudi Arabia across Yemen and the Horn of Africa that has upturned the geopolitics of the region and prompted concerns of a new escalation in the Sudan war.

The UAE has been thrown onto the back foot after Saudi Arabia launched military action to oust the Emirati-backed Southern Transitional Council (STC) from the Yemeni port city of Aden, and has been forced to withdraw from its key military base in Bosaso on the opposite Somali coastline.

Exclusive: UAE flights linked to Sudan war tracked from Israel to Ethiopia

A cargo plane previously linked to the supply of weapons to UAE-backed fighters in Sudan and Libya has made a number of flights in recent days between military bases in Abu Dhabi, Israel, Bahrain and Ethiopia, Middle East Ey

^{Simon Hooper (Middle East Eye)}

San Diego Comic-Con changed an AI art friendly policy following an artist-led backlash last week. It was a small victory for working artists in an industry where jobs are slipping away as movie and video game studios adopt generative AI tools to save time and money.

Every year, tens of thousands of people descend on San Diego for Comic-Con, the world’s premier comic book convention that over the years has also become a major pan-media event where every major media company announces new movies, TV shows, and video games. For the past few years, Comic-Con has allowed some forms of AI-generated art at this art show at the convention. According to archived rules for the show, artists could display AI-generated material so long as it wasn’t for sale, was marked as AI-produced, and credited the original artist whose style was used.

“Material produced by Artificial Intelligence (AI) may be placed in the show, but only as Not-for-Sale (NFS). It must be clearly marked as AI-produced, not simply listed as a print. If one of the parameters in its creation was something similar to ‘Done in the style of,’ that information must be added to the description. If there are questions, the Art Show Coordinator will be the sole judge of acceptability,” Comic-Con’s art show rules said until recently.

These rules have been in place since at least 2024, but anti-AI sentiment is growing in the artistic community and an artist-led backlash against Comic-Con’s AI-friendly language led to the convention quietly changing the rules. Twenty-four hours after artists called foul the AI-friendly policy, Comic-Con updated the language on its site. “Material created by Artificial Intelligence (AI) either partially or wholly, is not allowed in the art show,” it now says. AI is now banned at the art show.

Comic and concept artist Tiana Oreglia told 404 Media Comic-Con’s friendly attitude towards AI was a slippery slope towards normalization. “I think we should be standing firm especially with institutions like Comic-Con which are quite literally built off the backs of artists and the creative community,” she said. Oreglia was one of the first artists to notice the AI-friendly policy. In addition to alerting her circle of friends, she also wrote a letter to Comic-Con itself.

Artist Karla Ortiz told 404 Media she learned about the AI-friendly policy after some fellow artists shared it with her. Ortiz is a major artist who has worked with some of the major studios who exhibit work at Comic-Con. She’s also got a large following on social media, a following she used to call out Comic-Con’s organizers.

“Comic-con deciding to allow GenAi imagery in the art show—giving valuable space to GenAi users to show slop right NEXT to actual artists who worked their asses off to be there—is a disgrace!” Ortiz said in a post on Bluesky. “A tone deaf decision that rewards and normalizes exploitative GenAi against artists in their own spaces!”

According to Ortiz, the convention is a sacred place she didn’t want to see desecrated by AI. “Comic-Con is the big mecca for comic artists, illustrators, and writers,” she said. “I organize and speak with a lot of different artists on the generative AI issue. It’s something that impacts us and impacts our lives. A lot of us have decided: ‘No, we’re not going to sit by the sidelines.’”

Oritz explained that generative AI was already impacting the livelihood of working artists. She said that, in the past, artists could sustain themselves on long projects for companies that included storyboarding and design. “Suddenly the duration of projects are cut,” she said. “They got generative AI to generate a bunch of references, a bunch of boards. ‘We already did the initial ideation, so just paint this. Paint what generative AI has generated for us.’”

Ortiz pointed to two high profile examples: Marvel using AI to make the title sequence for Secret Invasion and Coca-Cola using AI to make Christmas commercials. “You have this encroaching exploitative technology impacting almost every single level of the entertainment industry, whether you’re a writer, or a voice actor, or a musician, a painter, a concept artist, an illustrator. It doesn’t matter…and then to have Comic-Con, that place that’s supposed to be a gathering and a celebration of said creatives and their work, suddenly put on a pedestal the exploitative technology that only functions because of its training on our works? It’s upsetting beyond belief.”

“What is Comic-Con trying to tell the industry?” She said, “It’s telling artists: ‘Hey you, you’re exploitable and you’re replaceable.’”

Ortiz was heartened that Comic-Con changed its policy. “It was such a relief,” she said. “Generative AI is still going to creep its nasty way in some way or another, but at least it’s not something we have to take lying down. It’s something we can actively speak out against.”

Comic-Con did not respond to 404 Media’s request for comment, but Oreglia said she did hear back from art show organizer Glen Wooten. “He basically told me that they put those AI stipulations in when AI was just starting to come around and that the inability to sell AI-generated works was meant to curtail people from submitting genAI works,” she said. “He seems to be very against genAI but wasn't really able to change the current policy until artists voiced their opinions loudly which pressured the office into banning AI completely.”

Despite changing policies and broad anti-AI sentiment among the artistic community, Oreglia has still seen an uptick of AI art at conventions. “Although there are many cons that ban it outright and if you get caught selling it you basically will get banned.” This happened to a vendor at Dragon Con last September. Organizers called police to escort the vendor off the premises.

“And I was tabling at Fanexpo SF and definitely saw genAI in the dealers hall, none in the artists alley as far as I could see though but I mostly stuck to my table,” she said. “I was also at Emerald City Comic Con last year and they also have a no-ai policy but fanexpo doesn't seem to have those same policies as far as I know.”

AI image generators are trained on original artwork so whatever output a tool like Midjourney creates is based on an artist’s work, often without compensation or credit. Oreglia also said she feels that AI is an artistic dead end. “Everything interesting, uplifting, and empowering I find about art gets stripped away and turned into vapid facsimiles based on vibes and trendy aesthetics,” she said.

'Secret Invasion' AI Opening Cost No Artists Their Jobs

Method Studios clarifies reports that sparked a social media backlash, stating AI tools "complemented and assisted our creative teams."

^{Carolyn Giardina (The Hollywood Reporter)}