404 Media

2025-06-24 13:43:47

‘FuckLAPD.com’ Lets Anyone Use Facial Recognition to Instantly Identify Cops

A new site, FuckLAPD.com, is using public records and facial recognition technology to allow anyone to identify police officers in Los Angeles they have a picture of. The tool, made by artist Kyle McDonald, is designed to help people identify cops who may otherwise try to conceal their identity, such as covering their badge or serial number.

“We deserve to know who is shooting us in the face even when they have their badge covered up,” McDonald told me when I asked if the site was made in response to police violence during the LA protests against ICE that started earlier this month. “fucklapd.com is a response to the violence of the LAPD during the recent protests against the horrific ICE raids. And more broadly—the failure of the LAPD to accomplish anything useful with over $2B in funding each year.”

“Cops covering up their badges? ID them with their faces instead,” the site, which McDonald said went live this Saturday. The tool allows users to upload an image of a police officer’s face to search over 9,000 LAPD headshots obtained via public record requests. The site says image processing happens on the device, and no photos or data are transmitted or saved on the site. “Blurry, low-resolution photos will not match,” the site says.

“fucklapd.com uses data provided by the City of Los Angeles directly to the public,” McDonald told me in an email. “This data has been provided in response to either public records requests or public records lawsuits. That means all of this information belongs to the public and is a matter of public record. fucklapd.com is not scraping any data.”

In addition to potentially identifying officers by name and serial number, FuckLAPD.com also pulls up a police officer’s salary.

“Surprisingly it [the domain name] only costs $10 a year to exercise my first amendment right to say fucklapd.com,” McDonald said.
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I tested the tools by grabbing an image of a white and bald police officer from an LAPD press conference addressing its use of force during the anti-ICE protests in Los Angeles. I uploaded the image to the site, and within a few seconds the site presented me with nine headshots of officers who could be possible matches, all of them bald white men. The first correctly identified the cop in the image I uploaded.

Clicking “view profile” under the result sent me to the Watch the Watchers site by the Stop LAPD Spying Coalition, a community group based in the Skid Row neighborhood of downtown Los Angeles. “All of the information on this website comes from records that were deliberately made public by the City of Los Angeles in response to either public records requests or public records lawsuits,” the Watch the Watchers site says. “We plan to keep refreshing this data from new public records requests as well as to add other data.” Stop LAPD Spying Coalition is not associated with FuckLAPD.com and did not endorse the site.

McDonald told me that since the site launched, it had around 50,000 visitors, but “Because the analysis happens on-device I have no way of knowing what people are using it for, except for some people who have posted screenshots to Twitter or Instagram,” he said.

In 2018 McDonald made another tool called ICEspy which used hundreds of photos of ICE employees from LinkedIn and does much the same thing as FuckLAPD.com. “This app is designed to highlight and embarrass the organization committing atrocities against refugees and immigrants to the United States,” ICEspy’s website says. That tool originally used a Microsoft API, before Microsoft restricted access to it. McDonald said on X that he recently relaunched the tool to run locally on devices. 404 Media tested ICEspy using images of ICE employees on LinkedIn to verify if the tool worked and each result was incorrect; McDonald indicated on X he was looking for others to re-scrape LinkedIn and update the database.

Over the last few months ICE officers have consistently worn masks, neck gaiters, sunglasses, and baseball caps to shield their identity while often refusing to provide their name or even confirm the agency they belong to. This includes while violently assaulting people, detaining U.S. citizens, and pointing weapons at bystanders, leaving little room for recourse or accountability against the individual agents or the agency.

ICE’s constant use of masks has created a climate where people cannot be sure that the heavily armed group of men coming towards them are really federal agents or not. In Philadelphia, a man pretended to be an ICE agent in order to rob an auto repair shop and zip tie an employee. In Brooklyn, a man posed as an immigration officer before attempting to rape a woman.

ICE claims that assaults against its officers have increased by 413 percent, and use this as the justification for covering their faces. But as Philip Bump showed in the Washington Postthere are still plenty of questions about those numbers and their accuracy. ICE says its officers’ family members have been doxed too.

Neither the LAPD or ICE responded to a request for comment.

Joseph Cox contributed reporting.

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A 51-year-old woman was approached by a man who said he was an ICE agent before attempting to sexually assault her.

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404 Media

2025-06-24 13:00:39

This Queer Online Zine Can Only Be Read Via an Ancient Internet Protocol

Unless you’re living in a ChatGPT hype-bro bubble, it’s a pretty common sentiment these days that the internet is getting shittier. Social media algorithms have broken our brains, AI slop flows freely through Google search results like raw sewage, and tech companies keep telling us that this new status quo is not only inevitable, but Good.

Standing in stark opposition to these trends is New Session, an online literary zine accessed via the ancient-but-still-functional internet protocol Telnet.

Like any other zine, New Session features user-submitted poems, essays, and other text-based art. But the philosophy behind each of its digital pages is anything but orthodox.

“In the face of right-wing politics, climate change, a forever pandemic, and the ever-present hunger of imperialist capitalism, we have all been forced to adapt,” reads the intro to New Session’s third issue, titled Adaptations, which was released earlier this month. “Both you and this issue will change with each viewing. Select a story by pressing the key associated with it in the index. Read it again. Come back to it tomorrow. Is it the same? Are you?”

The digital zine is accessibleon the web via a browser-based Telnet client, or if you’re a purist like me, via the command line. As the intro promises, each text piece changes—adapts—depending on various conditions, like what time of day you access it or how many times you’ve viewed it. Some pieces change every few minutes, while others update every time a user looks at it, like gazing at fish inside a digital aquarium.

How New Session looks on Telnet. Images courtesy Cara Esten Hurtle

Once logged in, the zine’s main menu lists each piece along with the conditions that cause it to change. For example, Natasja Kisstemaker’s “Sanctuary” changes with every viewing, based on the current weather. “Signature,” by Kaia Peacock, updates every time you press a key, slowly revealing more of the piece when you type a letter contained in the text—like a word puzzle on Wheel of Fortune.

Cara Esten Hurtle, an artist and software engineer based in the Bay Area, co-founded New Session in 2021 along with Lo Ferris, while searching for something to do with her collection of retro computers during the early days of the COVID-19 pandemic.

“I realized I’d been carrying around a lot of old computers, and I thought it would be cool to be able to do modern stuff on these things,” Hurtle told 404 Media. “I wanted to make something that was broadly usable across every computer that had ever been made. I wanted to be like, yeah, you can run this on a 1991 Thinkpad someone threw away, or you could run it on your modern laptop.”

If you’re of a certain age, you might remember Telnet as a server-based successor to BBS message boards, the latter of which operated by connecting computers directly. It hearkens back to a slower internet age, where you’d log in maybe once or twice a day to read what’s new. Technically, Telnet predates the internet itself, originally developed as anetworked teletype system in the late ‘60s for the internet’s military precursor, the ARPAnet. Years later, it was officially adopted as one of the earliest internet protocols, and today it remains the oldest application protocol still in use—though mainly by enthusiasts like Hurtle.

New Session intentionally embraces this slower pace, making it more like light-interactive fiction than a computer game. For Hurtle, the project isn’t just retro novelty—it’s a radical rejection of the addictive social media and algorithmic attention-mining that have defined the modern day internet.

New Session viewed on a variety of Hurtle's collection of machines. Photos courtesy Cara Esten Hurtle

“I want it to be something where you don’t necessarily feel like you have to spend a ton of time with it,” said Hurtle. “I want people to come back to it because they’re interested in the stories in the same way you’d come back to a book—not to get your streak on Duolingo.”

I won’t go into too much detail, because discovering how the pieces change is kind of the whole point. But on the whole, reading New Session feels akin to a palette cleanser after a long TikTok binge. Its very design evokes the polar opposite of the hyper-consumerist mindset that brought us infinite scrolls and algorithmic surveillance. The fact that you literally can’t consume it all in one session forces readers to engage with the material more slowly and meaningfully, piquing curiosity and exercising intuition.

At the same time, the zine isn’t meant to be a nostalgic throwback to simpler times. New Session specifically solicits works from queer and trans writers and artists, as a way to reclaim a part of internet history that was creditedalmost entirely to white straight men. But Hurtle says revisiting things like Telnet can also be a way to explore paths not taken, and re-assess ideas that were left in the dustbin of history.

“You have to avoid the temptation to nostalgize, because that’s really dangerous and it just turns you into a conservative boomer,” laughs Hurtle. “But we can imagine what aspects of this we can take and claim for our own. We can use it as a window to understand what’s broken about the current state of the internet. You just can’t retreat to it.”

Projects like New Session make a lot of sense in a time when more people are looking backward to earlier iterations of the internet—not to see where it all went wrong, but to excavate old ideas that could have shaped it in a radically different way, and perhaps still can. It’s a reminder of that hidden, universal truth—to paraphrase the famousDavid Graeber quote—that the internet is a thing we make, and could just as easily make differently.

Untold Stories: Setting the Record Straight on Tech's Racial History

An interview with R. Arvid Nelsen highlights his efforts in uncovering the vast amount of history pertaining to black scientists and experts.

^{Michael Martinez (IEEE Computer Society)}