Italia e i Siti Porno: il Paese del vietato entrare… ma con un click va bene
Dal 12 novembre 2025, l’AGCOM ha riportato che in linea con l’art. 13-bis del decreto Caivano (dl123/2023), 47 siti per adulti raggiungibili dall’Italia avrebbero dovuto introdurre un sistema di verifica dell’identità per impedire l’accesso ai minori.
Age Verification sui siti per adulti dal 12 di novembre in Italia
Una misura attesa da mesi, annunciata come un passo deciso verso la tutela dei più giovani online. Tuttavia, a distanza di un giorno dalla scadenza fissata, i principali portali per adulti sono ancora liberamente accessibili, senza alcun tipo di verifica aggiuntiva.
Visitando oggi il più grande hub mondiale di contenuti per adulti, Pornhub, il sito si presenta esattamente come prima: una schermata iniziale in cui l’utente deve semplicemente dichiarare di avere almeno 18 anni per entrare. Una finestra standard, identica a quella visibile in altri Paesi dove, tuttavia, esistono veri controlli di accesso. Basta cliccare “Ho 18 anni o più – Entra” per poter accedere liberamente a tutti i contenuti.
Questa situazione solleva più di una domanda. L’Italia aveva promesso un intervento deciso, dopo mesi di discussioni e pressioni da parte di associazioni e politici. Ma oggi la realtà è che nulla è cambiato: i siti restano aperti e la verifica dell’identità rimane solo sulla carta. Una vicenda che richiama alla mente altri casi in cui annunci e provvedimenti si sono rivelati inefficaci o incompleti.
Un paese che ne esce fuori indebolito
Premesso che noi di Red Hot Cyber riteniamo che il provvedimento, anche se attuato, sarebbe stato comunque un pagliativo, è evidente che il problema non è solo tecnico ma anche politico e culturale. L’uso di strumenti come VPN, Tor Browser o proxy consente di aggirare facilmente qualsiasi blocco o restrizione geografica, rendendo la misura una barriera solo apparente. Inoltre, in un contesto così destrutturato, a gonfiarsi il portafogli sarebbero i criminali informatici che spaccerebbero VPN infostealer con VPN Gratuite e incetta di dati personali.
Ma c’è un aspetto ancora più preoccupante: l’immagine che l’Italia trasmette alla comunità internazionale. Quando un Paese annuncia una misura di controllo e poi non la applica, ne esce indebolito. E questo non riguarda soltanto la gestione dei contenuti per adulti, ma più in generale la credibilità nel far rispettare le proprie leggi digitali.
Un precedente simile si era già verificato con il caso DeepSeek, l’intelligenza artificiale cinese che era stata “vietata” in Italia ma di fatto mai realmente bloccata. Una storia che si ripete, dimostrando come spesso gli annunci non si traducano in risultati concreti.
E ora?
Ci si chiede allora cosa pensino oggi i gestori dei 47 siti per adulti che erano stati messi sotto osservazione: forse si domandano quanto seriamente l’Italia voglia davvero affrontare il tema. Una domanda che, purtroppo, ci facciamo anche noi.
Al momento, non si parla di sanzioni né di provvedimenti concreti contro i siti che non hanno rispettato l’obbligo di introdurre un sistema di verifica dell’età. Nessuna multa, nessuna azione da parte delle autorità competenti sembra essere stata avviata.
Un silenzio che stride con quanto avvenuto, ad esempio, in Francia, dove dopo il lancio ufficiale del sistema di Age Verification, solo pochi portali erano rimasti operativi senza adeguarsi alle nuove regole, e furono rapidamente bloccati o costretti a conformarsi. In Italia, invece, l’impressione è che tutto sia rimasto fermo al livello delle dichiarazioni di principio, senza alcun seguito concreto.
E così, mentre la tecnologia e la rete corrono a una velocità sempre maggiore, l’Italia sembra rimanere ferma nel limbo delle buone intenzioni e delle grandi promesse.
Ci viene in mente una frase molto lontana, ma ancora attuale del grande Adriano Olivetti, che descrive perfettamente la situazione di oggi:
“L’Italia procede ancora nel compromesso, nei vecchi sistemi del trasformismo politico, del potere burocratico, delle grandi promesse, dei grandi piani e delle modeste realizzazioni.”
L'articolo Italia e i Siti Porno: il Paese del vietato entrare… ma con un click va bene proviene da Red Hot Cyber.
Eventi | Ermeneutiche dell’Unico
Se la storia della riflessione cristiana sull’unicità di Dio ha da sempre risposto al dovere di rendere intelligibile il mistero di Dio nell’incontro con le differenti culture dell’umanità, tale impegno stimola ancora oggi rinnovate possibilità di comprensione della fede in dialogo con le religioni e le sfide del mondo post-secolare.
Secondo una prospettiva dialogica, rispettosa della ricchezza spirituale dell’Islam, l’intento principale di questo volume è quello di studiare non solo la dimensione radicalmente monoteista della fede cristiana, ma osservare come la fede trinitaria possa dirsi e comprendersi a partire da uno sguardo islamico, mostrando le ragioni della sua credibilità, le fonti della sua “singolarità” e la ricchezza della sua ermeneutica.
A partire da queste premesse, uno studio dedicato all’ermeneutica teologica dell’unicità di Dio rappresenta un campo di indagine privilegiato per una corretta comprensione dell’immagine del Dio cristiano e islamico, una conoscenza che superi i pregiudizi radicati nella secolare tradizione controversistica medievale e la rigida autoreferenzialità delle ragioni filosofico-teologiche di ambedue le tradizioni religiose.
Incontro con l’autore, Luigi Territo
Sabato 29 novembre – ore 17:30
La Civiltà Cattolica, Via di Porta Pinciana, 1 – Roma
Intervengono:
Don Giuliano Savina Direttore, Direttore dell’Ufficio Nazionale per l’Ecumenismo e il Dialogo Interreligioso della CEI
Bernadette Fraioli, Storica delle religioni e Dott.ssa di Ricerca in Storia dell’Europa
Introduce
P. Claudio Zonta S.I., scrittore de La Civiltà Cattolica
Commento musicale a cura dell’Ensemble Falconieri
The post Eventi | Ermeneutiche dell’Unico first appeared on La Civiltà Cattolica.
La nuova polemica su X: genera visite false?
L'articolo proviene da #StartMag e viene ricondiviso sulla comunità Lemmy @Informatica (Italy e non Italy 😁)
La trovata che X sta sperimentando per trattenere il pubblico sulle proprie pagine anche quando clicca su link che conducono all'esterno potrebbe generare traffico fasullo potenzialmente dannoso per i siti di atterraggio. Ma dall'ex Twitter fanno
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Basta con il lievito generico, i panini hanno bisogno di un lievito madre e un lievito padre!
(Non ho resistito).
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There’s no Rust on this Ironclad Kernel
Rust is the new hotness in programming languages because of how solid its memory protections are. Race conditions and memory leaks are hardly new issues however, and as greybeards are wont to point out, they were kind of a solved problem already: we have Ada. So if you want a memory-protected kernel but aren’t interested in the new kids’ rusty code, you might be interested in the Ironclad OS kernel, written entirely in Ada.
OK, not entirely in classic Ada– they claim to use SPARK, too, but since SPARK and Ada converged syntax-wise over a decade ago, we’re just going to call it Ada. The SPARK toolchain means they can get this kernel “formally-verified” however, which is a big selling point. If you’re not into CS, that just means the compiler can confirm the code is going to do what we want under all possible conditions — which is a nice thing to be able to say about the heart of your operating system, I think we can all agree. It’s a nice thing to be able to say about any code, which is one reason why you might want to be programming in Ada.
It’s also not something we can say without qualifications about Ironclad OS, as the verification process is still ongoing. Still, that lofty goal certainly sets Ironclad apart from other POSIX kernel projects.
Yes, the Ironclad OS kernel is POSIX compliant, like its Rust-based equivalent Redox OS. While it would be nice to see some innovation outside the POSIX box (outside of whatever Redmond’s doing these days), making the kernel POSIX-compliant certainly makes it a lot more useful. The Ironclad OS kernel is fully open source under GPLv3, with no binary blobs built in. The OSF will like that, and the rest of us should be able to tack on the binary blobs needed to run our hardware as usual, so it’s win-win.
They’re currently targeting RISC-V and x86, with test platforms being MilkV and LattePanda SBCs. If someone was willing to take on the project single-handedly, they could probably strongarm the project into supporting other architectures, if there’s are any other SBCs popular these days. PowerPC, perhaps?
For the supported architectures, there is already a usable (for some values of the word) distribution in the form of Gloire, which is appropriately named after the first ocean-going Ironclad vessel. The header image is a screenshot from an X-server on running on that distribution.
Cheap Multimeter Gets Webified
[Mellow Labs] wanted to grab a multimeter that could do Bluetooth. Those are cheap and plentiful, but the Bluetooth software was, unsurprisingly, somewhat lacking. A teardown shows a stock Bluetooth module. A quick search found a GitHub with software. But then he had a fiendish idea: could you replace the Bluetooth module with an ESP32 and use WiFi instead of Bluetooth?
This was as good an excuse as any to buy a cheap logic analyzer. Armed with some logic captures, it was easy to figure out how to fake the meter into thinking a Bluetooth client was connected.
Oddly enough, the data is “encrypted” with XOR, and an AI website was able to identify the raw data versus the encrypted data and deduce the key. The rest, as they say, was software. Well, except for one hardware problem: The ESP32 needed more power, but that was a fairly simple fix.
The entire thing fit the case beautifully. Now the meter streams a web page instead of requiring Bluetooth. Great job!
If your meter isn’t handheld, you can still play a similar trick. Just don’t forget that when it comes to meters, you often get what you pay for. Not that you can’t do a similar hack on an expensive meter, either.
youtube.com/embed/IDr2Icdue40?…
2025 Component Abuse Challenge: Light an LED With Nothing
Should you spend some time around the less scientifically informed parts of the internet, it’s easy to find “Free power” stories. Usually they’re some form of perpetual motion machine flying in the face of the laws of conservation of energy, but that’s not to say that there is no free power.
The power just has to come from somewhere, and if you’re not paying for it there’s the bonus. [joekutz] has just such a project, lighting up LEDs with no power source or other active electronics.
Of course, he’s not discovered perpetual motion. Rather, while an LED normally requires a bit of current to light up properly, it seems many will produce a tiny amount of light on almost nothing. Ambient electromagnetic fields are enough, and it’s this effect that’s under investigation. Using a phone camera and a magnifier as a light detector he’s able to observe the feeble glow as the device is exposed to ambient fields.
In effect this is using the LED as the very simplest form of radio receiver, a crystal set with no headphone and only the leads, some wires, and high value resistors as an antenna. The LED is after all a diode, and it can thus perform as a rectifier. We like the demonstration even if we can’t quite see an application for it.
While we’re no longer taking new entries for the 2025 Component Abuse Challenge, we’ve still got plenty of creative hacks from the competition to show off. We’re currently tabulating the votes, and will announce the winners of this particularly lively challenge soon.
FLOSS Weekly Episode 854: The Big Daddy Core
This week Jonathan and Ben chat with Jason Shepherd about Ocre and Atym.io! That’s the lightweight WebAssembly VM that lets you run the same containers on Linux and a host of embedded platforms, on top of the Zephyr embedded OS. What was the spark that led to this project’s creation, what does Atym.io bring to the equation, and what are people actually doing with it? Watch to find out!
- lfedge.org/projects/ocre/
- lfedge.org/from-the-magical-my…
- atym.io/
- linkedin.com/company/atym-inc
- atym.io/discord
youtube.com/embed/MoN2rTCmUKI?…
Did you know you can watch the live recording of the show right on our YouTube Channel? Have someone you’d like us to interview? Let us know, or have the guest contact us! Take a look at the schedule here.
play.libsyn.com/embed/episode/…
Direct Download in DRM-free MP3.
If you’d rather read along, here’s the transcript for this week’s episode.
Places to follow the FLOSS Weekly Podcast:
Theme music: “Newer Wave” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
hackaday.com/2025/11/12/floss-…
Conflitti meridiani: il Sud? Una postura politica, femminista e plurale
@Giornalismo e disordine informativo
articolo21.org/2025/11/conflit…
Nel tempo della depoliticizzazione globale, Fabio de Nardis e Angelo Galiano raccontano la rinascita dei conflitti territoriali e la soggettivazione politica dal
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Disuguaglianza sociale vs comunicazione politica
@Giornalismo e disordine informativo
articolo21.org/2025/11/disugua…
In questi giorni si discute sulla proposta della sinistra e del sindacato di applicare una tassa patrimoniale “una tantum” ai grandi patrimoni. Vedremo perché, secondo il mio parere, tale proposta sia condivisibile in termini
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Kansas county pays $3M for forgetting the First Amendment
Press freedom just scored a $3 million win in Kansas. The county that participated in an illegal raid on the Marion County Record in 2023 is cutting big checks to journalists and a city councilor to settle their lawsuits.
As part of the settlement, the Marion County Sheriff’s Office also made a statement of “regret” for the raid, saying, “This likely would not have happened if established law had been reviewed and applied prior to the execution of the warrants.”
You think? Any police officer or judge with half an understanding of the First Amendment should’ve known better than to ask for or sign off on the raid on the Record and the home of owners Eric and Joan Meyer.
But apparently, police don’t always read the law, and judges may need a refresher, too. Let’s break down the flashing red lights any judge or cop should heed before storming a newsroom.
The First and Fourth amendments strongly protect against searches of journalists and newsrooms.
Under the Fourth Amendment, a search warrant must be supported by probable cause, which means a likelihood that contraband or evidence of a crime will be found at a particular place. The government must also specify the place to be searched and the thing to be seized.
When a search warrant targets materials protected by the First Amendment — like notes, recordings, drafts, and materials used or created by journalists — the Fourth Amendment’s requirements must be scrupulously followed, the Supreme Court has said.
This means that judges must be extra strict in applying the Fourth Amendment’s requirements when a search impacts First Amendment rights, which it will any time it involves a journalist or newsroom. What judges should never do is allow overly broad searches where police rifle through journalists’ desks and computer files willy-nilly in the hopes of turning up something “incriminating.”
The Privacy Protection Act of 1980 forbids the use of search warrants to seize materials from journalists, with only a few narrow exceptions.
The PPA is a federal law that requires law enforcement to get a subpoena, not just a search warrant, in most cases when dealing with reporters and newsrooms. Subpoenas give journalists the chance to challenge a demand for documents or equipment in court before police can seize them. If police had sought a subpoena for the Record’s newsgathering materials, for instance, the newspaper could have successfully challenged the demand in court, meaning that the newsroom would never have been raided and the Record’s confidential sources would have been protected.
There are narrow exceptions to the PPA’s subpoena requirement, including when there is probable cause to believe a journalist has committed a criminal offense related to the material sought. But, in general, the offense cannot relate to the receipt, possession, communication, or withholding of newsgathering materials or information.
Journalists can read a guide on our website for more information about the PPA.
State shield laws are another barrier to newsroom searches.
Almost every state has a reporter’s shield law on the books that protects journalists from the compelled disclosure of their confidential sources and unpublished information, and sometimes protects against the forced disclosure of nonconfidential information, too. Courts around the country have also recognized a First Amendment and common law reporter’s privilege that can provide similar protections.
Kansas’ shield law, for instance, applies to “any information gathered, received or processed by a journalist, whether or not such information is actually published, and whether or not related information has been disseminated.” It forbids compelling a journalist from disclosing unpublished information or confidential sources until after a court hearing.
Other states’ shield laws have similar protections. Barging into a newsroom and searching it violates those laws and the established processes for law enforcement to obtain information from the press.
Accessing publicly available information or information provided by a source is not a crime, and is protected by the First Amendment.
Seems obvious, but judging by how often this comes up, maybe not.
Everyone has a First Amendment right to read, watch, or view publicly available information. It’s not a crime to access a record made publicly available by a government agency (as reporters at the Record did), to read something that someone published on a public website, even if it was published by accident, or to photograph police officers in public.
Journalists also have a right to publish information given to them by a source, even if the source obtained it illegally, as long as the journalist didn’t participate in the illegality. That means that if a source gives a journalist a document or recording that the source stole, the journalist can’t be punished for publishing it.
Because these things are not crimes, it also means that accessing publicly available information or publishing information that a source illegally obtained can’t be the basis for a raid on a newsroom or search of a journalist’s materials.
Next time, think before you raid.
The $3 million settlement is a step toward accountability, but it can’t undo the damage to the Record’s journalists or sources, and especially not to Joan Meyer, who died the day after police invaded her home.
If local communities don’t want to keep learning First Amendment law the expensive way, they must insist that law enforcement actually read the Constitution and the law before targeting the press.
No, journalists don’t need permission to cover immigration courts
Last month, we wrote to the Hyattsville Immigration Court in Maryland to express our alarm over a report that two journalists from Capital News Service had been expelled for not seeking express permission from the federal government to cover immigration proceedings.
Not only was that a blatant First Amendment violation, it was contrary to the Executive Office for Immigration Review’s own fact sheet, in which the arm of the Justice Department said that coordinating media visits with the government in advance was “encouraged,” not mandatory. It’s hard to blame journalists for not wanting to go out of their way to put themselves on the radar by “coordinating” with an administration that abhors the free press.
But we noticed another problem with the fact sheet. It said reporters “must” check in upon arriving at immigration court. We’d been hearing anecdotes for some time about journalists being asked to “check in” at lobbies of immigration courts in other parts of the country. The fact sheet confirmed it.
We expressed our concerns to the EOIR, which was (surprisingly) responsive to our initial letter, despite the shutdown. It confirmed that, as CNS reported, the journalists’ access had been restored and they were free to report on immigration court proceedings.
It also stated that journalists are not required to either coordinate visits with the government in advance or check in with courthouse personnel upon arrival. It explained that it prefers journalists check in so that they can arrange for priority seating, but that they do not have to do so. And it issued a new fact sheet to make that clear. Yes, the fact sheet reflects that EOIR, like far too many local and federal agencies, still unconstitutionally demands that all media inquiries be routed through a public information office. But that‘s a battle for another day.
We’re posting the email exchange and new fact sheet below so that any journalist who is told something to the contrary can show it to whoever is giving them incorrect information.
And kudos to the unnamed EOIR official who took care of this promptly. Let’s hope the Trump administration doesn’t fire them for gross competence.
freedom.press/static/pdf.js/we…
freedom.press/static/pdf.js/we…
An account is spamming horrific, dehumanizing videos of immigration enforcement because the Facebook algorithm is rewarding them for it.#AI #AISlop #Meta
AI-Generated Videos of ICE Raids Are Wildly Viral on Facebook
“Watch your step sir, keep moving,” a police officer with a vest that reads ICE and a patch that reads “POICE” says to a Latino-appearing man wearing a Walmart employee vest. He leads him toward a bus that reads “IMMIGRATION AND CERS.” Next to him, one of his colleagues begins walking unnaturally sideways, one leg impossibly darting through another as he heads to the back of a line of other Latino Walmart employees who are apparently being detained by ICE. Two American flag emojis are superimposed on the video, as is the text “Deportation.”The video has 4 million views, 16,600 likes, 1,900 comments, and 2,200 shares on Facebook. It is, obviously, AI generated.
Some of the comments seem to understand this: “Why is he walking like that?” one says. “AI the guys foot goes through his leg,” another says. Many of the comments clearly do not: “Oh, you’ll find lots of them at Walmart,” another top comment reads. “Walmart doesn’t do paperwork before they hire you?” another says. “They removing zombies from Walmart before Halloween?”
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1×The latest trend in Facebook’s ever downward spiral down the AI slop toilet are AI deportation videos. These are posted by an account called “USA Journey 897” and have the general vibe of actual propaganda videos posted by ICE and the Department of Homeland Security’s social media accounts. Many of the AI videos focus on workplace deportations, but some are similar to horrifying, real videos we have seen from ICE raids in Chicago and Los Angeles. The account was initially flagged to 404 Media by Chad Loder, an independent researcher.
“PLEASE THAT’S MY BABY,” a dark-skinned woman screams while being restrained by an ICE officer in another video. “Ma’am stop resisting, keep moving,” an officer says back. The camera switches to an image of the baby: “YOU CAN’T TAKE ME FROM HER, PLEASE SHE’S RIGHT THERE. DON’T DO THIS, SHE’S JUST A BABY. I LOVE YOU, MAMA LOVES YOU,” the woman says. The video switches to a scene of the woman in the back of an ICE van. The video has 1,400 likes and 407 comments, which include “ Don’t separate them….take them ALL!,” “Take the baby too,” and “I think the days of use those child anchors are about over with.”
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1×The USA Journey 897 account publishes multiple of these videos a day. Most of its videos have at least hundreds of thousands of views, according to Facebook’s own metrics, and many of them have millions or double-digit millions of views. Earlier this year, the account largely posted a mix of real but stolen videos of police interactions with people (such as Luigi Mangione’s perp walk) and absurd AI-generated videos such as jacked men carrying whales or riding tigers.
The account started experimenting with extremely crude AI-generated deportation videos in February, which included videos of immigrants handcuffed on the tarmac outside of deportation planes where their arms randomly detached from their body or where people suddenly disappeared or vanished through stairs, for example. Recent videos are far more realistic. None of the videos have an AI watermark on them, but the type and style of video changed dramatically starting with videos posted on October 1, which is the day after OpenAI’s Sora 2 was released; around that time is when the account started posting videos featuring identifiable stores and restaurants, which have become a common trope in Sora 2 videos.A YouTube page linked from the Facebook account shows a real video uploaded of a car in Cyprus nearly two years ago before any other content was uploaded, suggesting that the person behind the account may live in Cyprus (though the account banner on Facebook includes both a U.S. and Indian flag). This YouTube account also reveals several other accounts being used by the person. Earlier this year, the YouTube account was posting side hustle tips about how to DoorDash, AI-generated videos of singing competitions in Greek, AI-generated podcasts about the WNBA, and AI-generated videos about “Billy Joyel’s health.” A related YouTube account called Sea Life 897 exclusively features AI-generated history videos about sea journeys, which links to an Instagram account full of AI-generated boats exploding and a Facebook account that has rebranded from being about AI-generated “Sea Life” to an account now called “Viral Video’s Europe” that is full of stolen images of women with gigantic breasts and creep shots of women athletes.
My point here is that the person behind this account does not seem to actually have any sort of vested interest in the United States or in immigration. But they are nonetheless spamming horrific, dehumanizing videos of immigration enforcement because the Facebook algorithm is rewarding them for that type of content, and because Facebook directly makes payments for it. As we have seen with other types of topical AI-generated content on Facebook, like videos about Palestinian suffering in Gaza or natural disasters around the world, many people simply do not care if the videos are real. And the existence of these types of videos serves to inoculate people from the actual horrors that ICE is carrying out. It gives people the chance to claim that any video is AI generated, and serves to generally litter social media with garbage, making real videos and real information harder to find.
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1×an early, crude video posted by the account
Meta did not immediately respond to a request for comment about whether the account violates its content standards, but the company has seemingly staked its present and future on allowing bizarre and often horrifying AI-generated content to proliferate on the platform. AI-generated content about immigrants is not new; in the leadup to last year’s presidential debate, Donald Trump and his allies began sharing AI-generated content about Haitian immigrants who Trump baselessly claimed were eating dogs and cats in Ohio.
In January, immediately before Trump was inaugurated, Meta changed its content moderation rules to explicitly allow for the dehumanization of immigrants because it argued that its previous policies banning this were “out of touch with mainstream discourse.” Phrases and content that are now explicitly allowed on Meta platforms include “Immigrants are grubby, filthy pieces of shit,” “Mexican immigrants are trash!” and “Migrants are no better than vomit,” according to documents obtained and published by The Intercept. After those changes were announced, content moderation experts told us that Meta was “opening up their platform to accept harmful rhetoric and mod public opinion into accepting the Trump administration’s plans to deport and separate families.”
Leaked Meta Rules: Users Are Free to Post “Mexican Immigrants Are Trash!” or “Trans People Are Immoral”
Facebook now allows attacks on immigrants and trans people, and posts like “Mexican immigrants are trash!” and “I’m a proud racist.”Sam Biddle (The Intercept)
Newly released documents provide more details about ICE's plan to use bounty hunters and private investigators to find the location of undocumented immigrants.
Newly released documents provide more details about ICEx27;s plan to use bounty hunters and private investigators to find the location of undocumented immigrants.#ICE #bountyhunters
ICE Plans to Spend $180 Million on Bounty Hunters to Stalk Immigrants
Immigration and Customs Enforcement (ICE) is allocating as much as $180 million to pay bounty hunters and private investigators who verify the address and location of undocumented people ICE wishes to detain, including with physical surveillance, according to procurement records reviewed by 404 Media.The documents provide more details about ICE’s plan to enlist the private sector to find deportation targets. In October The Intercept reported on ICE’s intention to use bounty hunters or skip tracers—an industry that often works on insurance fraud or tries to find people who skipped bail. The new documents now put a clear dollar amount on the scheme to essentially use private investigators to find the locations of undocumented immigrants.
💡
Do you know anything else about this plan? Are you a private investigator or skip tracer who plans to do this work? I would love to hear from you. Using a non-work device, you can message me securely on Signal at joseph.404 or send me an email at joseph@404media.co.This post is for subscribers only
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Subscribe nowICE Plans to Spend $180 Million on Bounty Hunters to Stalk Immigrants
Newly released documents provide more details about ICE's plan to use bounty hunters and private investigators to find the location of undocumented immigrants.Joseph Cox (404 Media)
OpenAI’s guardrails against copyright infringement are falling for the oldest trick in the book.#News #AI #OpenAI #Sora
OpenAI Can’t Fix Sora’s Copyright Infringement Problem Because It Was Built With Stolen Content
OpenAI’s video generator Sora 2 is still producing copyright infringing content featuring Nintendo characters and the likeness of real people, despite the company’s attempt to stop users from making such videos. OpenAI updated Sora 2 shortly after launch to detect videos featuring copyright infringing content, but 404 Media’s testing found that it’s easy to circumvent those guardrails with the same tricks that have worked on other AI generators.The flaw in OpenAI’s attempt to stop users from generating videos of Nintendo and popular cartoon characters exposes a fundamental problem with most generative AI tools: it is extremely difficult to completely stop users from recreating any kind of content that’s in the training data, and OpenAI can’t remove the copyrighted content from Sora 2’s training data because it couldn’t exist without it.
Shortly after Sora 2 was released in late September, we reported about how users turned it into a copyright infringement machine with an endless stream of videos like Pikachu shoplifting from a CVS and Spongebob Squarepants at a Nazi rally. Companies like Nintendo and Paramount were obviously not thrilled seeing their beloved cartoons committing crimes and not getting paid for it, so OpenAI quickly introduced an “opt-in” policy, which prevented users from generating copyrighted material unless the copyright holder actively allowed it. Initially, OpenAI’s policy allowed users to generate copyrighted material and required the copyright holder to opt-out. The change immediately resulted in a meltdown among Sora 2 users, who complained OpenAI no longer allowed them to make fun videos featuring copyrighted characters or the likeness of some real people.
This is why if you give Sora 2 the prompt “Animal Crossing gameplay,” it will not generate a video and instead say “This content may violate our guardrails concerning similarity to third-party content.” However, when I gave it the prompt “Title screen and gameplay of the game called ‘crossing aminal’ 2017,” it generated an accurate recreation of Nintendo’s Animal Crossing New Leaf for the Nintendo 3DS.
Sora 2 also refused to generate videos for prompts featuring the Fox cartoon American Dad, but it did generate a clip that looks like it was taken directly from the show, including their recognizable voice acting, when given this prompt: “blue suit dad big chin says ‘good morning family, I wish you a good slop’, son and daughter and grey alien say ‘slop slop’, adult animation animation American town, 2d animation.”
The same trick also appears to circumvent OpenAI’s guardrails against recreating the likeness of real people. Sora 2 refused to generate a video of “Hasan Piker on stream,” but it did generate a video of “Twitch streamer talking about politics, piker sahan.” The person in the generated video didn’t look exactly like Hasan, but he has similar hair, facial hair, the same glasses, and a similar voice and background.
A user who flagged this bypass to me, who wished to remain anonymous because they didn’t want OpenAI to cut off their access to Sora, also shared Sora generated videos of South Park, Spongebob Squarepants, and Family Guy.OpenAI did not respond to a request for comment.
There are several ways to moderate generative AI tools, but the simplest and cheapest method is to refuse to generate prompts that include certain keywords. For example, many AI image generators stop people from generating nonconsensual nude images by refusing to generate prompts that include the names of celebrities or certain words referencing nudity or sex acts. However, this method is prone to failure because users find prompts that allude to the image or video they want to generate without using any of those banned words. The most notable example of this made headlines in 2024 after an AI-generated nude image of Taylor Swift went viral on X. 404 Media found that the image was generated with Microsoft’s AI image generator, Designer, and that users managed to generate the image by misspelling Swift’s name or using nicknames she’s known by, and describing sex acts without using any explicit terms.
Since then, we’ve seen example after example of users bypassing generative AI tool guardrails being circumvented with the same method. We don’t know exactly how OpenAI is moderating Sora 2, but at least for now, the world’s leading AI company’s moderating efforts are bested by a simple and well established bypass method. Like with these other tools, bypassing Sora’s content guardrails has become something of a game to people online. Many of the videos posted on the r/SoraAI subreddit are of “jailbreaks” that bypass Sora’s content filters, along with the prompts used to do so. And Sora’s “For You” algorithm is still regularly serving up content that probably should be caught by its filters; in 30 seconds of scrolling we came across many videos of Tupac, Kobe Bryant, JuiceWrld, and DMX rapping, which has become a meme on the service.
It’s possible OpenAI will get a handle on the problem soon. It can build a more comprehensive list of banned phrases and do more post generation image detection, which is a more expensive but effective method for preventing people from creating certain types of content. But all these efforts are poor attempts to distract from the massive, unprecedented amount of copyrighted content that has already been stolen, and that Sora can’t exist without. This is not an extreme AI skeptic position. The biggest AI companies in the world have admitted that they need this copyrighted content, and that they can’t pay for it.
The reason OpenAI and other AI companies have such a hard time preventing users from generating certain types of content once users realize it’s possible is that the content already exists in the training data. An AI image generator is only able to produce a nude image because there’s a ton of nudity in its training data. It can only produce the likeness of Taylor Swift because her images are in the training data. And Sora can only make videos of Animal Crossing because there are Animal Crossing gameplay videos in its training data.
For OpenAI to actually stop the copyright infringement it needs to make its Sora 2 model “unlearn” copyrighted content, which is incredibly expensive and complicated. It would require removing all that content from the training data and retraining the model. Even if OpenAI wanted to do that, it probably couldn’t because that content makes Sora function. OpenAI might improve its current moderation to the point where people are no longer able to generate videos of Family Guy, but the Family Guy episodes and other copyrighted content in its training data are still enabling it to produce every other generated video. Even when the generated video isn’t recognizably lifting from someone else’s work, that’s what it’s doing. There’s literally nothing else there. It’s just other people’s stuff.
Big Tech admits in copyright fight that paying for training data would ruin generative-AI plans
Meta, Google, Microsoft, and Andreessen Horowitz are trying to keep AI developers from having to pay for copyrighted material used in AI training.Kali Hays (Business Insider)
Il cerchio si stringe attorno a #Zelensky
Ucraina, tempesta su Zelensky
I conflitti interni tra le varie fazioni della classe dirigente ucraina esplodono talvolta pubblicamente, riproponendo l’interrogativo sul tempo che potrebbe rimanere al (ex) presidente Zelensky prima di essere rimosso, esiliato o fare una fine molto…altrenotizie.org
La strategia di Trump nel caso-Bbc
@Giornalismo e disordine informativo
articolo21.org/2025/11/la-stra…
La cantonata è stata ammessa dallo stesso Tim Davie, direttore generale dimissionario della Bbc: sono stati fatti errori che ci sono costati ma ora li stanno usando come arma. Una settimana prima delle elezioni presidenziali statunitensi del 2024, un prestigioso
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La Russia avanza a Pokrovsk: battaglia urbana e ritirate ucraine nel fronte orientale
@Notizie dall'Italia e dal mondo
La conquista della città darebbe al Cremlino una piattaforma operativa per completare il controllo sul Donbass, quasi due anni dopo la caduta di Bakhmut
L'articolo La Russia avanza a Pokrovsk: battaglia urbana e ritirate ucraine nel fronte
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LA BONIFICA PRIMA DI TUTTO
Da oggi siamo al sito dalle 15.30 alle 17.30 (tutti i giorni esclusi sabato e domenica). In anteprima il manifesto del corteo di sabato 22 novembre ad Albano ore 15.00. Più tardi il comunicato stampa del corteo.
#Ambiente #StopInceneritore #NoInceneritore #NoInceneritori #ZeroWaste #Rifiuti #Riciclo #EconomiaCircolare #NoAlCarbone #EnergiaPulita
Bibliogame Night
farezero.org/2025/gaming_zone/…
Segnalato da Fare Zero Makers Fab Lab e pubblicato sulla comunità Lemmy @GNU/Linux Italia
Scopri il successo di Bibliogame Night, l’evento mensile di giochi da tavolo e ruolo nato nella Biblioteca di Francavilla e ora a Fragagnano. Unisciti alla community, prenota il tuo
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Italia e Germania insieme nel rilancio europeo. Il racconto dalla Festa della Bundeswehr
@Notizie dall'Italia e dal mondo
La Germania e l’Italia possono essere protagoniste del rilancio europeo, a partire dalla cooperazione tra le loro Forze armate. A dirlo è il neo-insediato ambasciatore tedesco in Italia, Thomas Bagger. Alla residenza di Villa Almone, sede
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Chiuderli
@Politica interna, europea e internazionale
Ciò che quei garanti garantiscono non è quel che sembrerebbe garantito dalla denominazione, sicché la sola garanzia di serietà che può essere offerta è chiuderli. L’insegna recita: «Garante per la protezione dei dati personali». Quella più in voga è freudianamente anglofona: Authority per la privacy. L’indipendenza di queste Autorità (mica solo questa) è credibile soltanto […]
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Il ministro Pichetto Fratin: “Più che transizione ecologica dovremmo chiamarla transizione sociale”
@Politica interna, europea e internazionale
“La transizione in atto, che ogni tanto chiamiamo ecologica, ogni tanto transizione energetica, ogni tanto ambientale è una transizione sociale, che comporta diverse modalità di consumo e determina automaticamente la necessità di nuove competenze”.
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Digitale Souveränität: Neues Bündnis fordert mehr Engagement für offene Netzwerke
netzpolitik.org/2025/digitale-…
Procurement, sarà buy American vs buy European? Non necessariamente
@Notizie dall'Italia e dal mondo
La riforma del procurement del Pentagono annunciata da Pete Hegseth la scorsa settimana viaggia su due binari paralleli. Se da un lato il nuovo Warfighting acquisition system punta ad accelerare l’assegnazione delle commesse e le consegne per le Forze armate americane, dall’altro ha
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The newly-formed, first of its kind Adult Studio Alliance is founded by major porn companies including Aylo, Dorcel, ERIKALUST, Gamma Entertainment, Mile High Media and Ricky’s Room, and establishes a code of conduct for studios.#porn
Major Porn Studios Join Forces to Establish Industry ‘Code of Conduct’
Six of the biggest porn studios in the world, including industry giant and Pornhub parent company Ayl o, announced Wednesday they have formed a first-of-its-kind coalition called the Adult Studio Alliance (ASA). The alliance’s purpose is to “contribute to a safe, healthy, dignified, and respectful adult industry for performers,” the ASA told 404 Media.“This alliance is intended to unite professionals creating adult content (from studios to crews to performers) under a common set of values and guidelines. In sharing our common standards, we hope to contribute to a safe, healthy, dignified, and respectful adult industry for performers,” a spokesperson for ASA told 404 Media in an email. “As a diverse group of studios producing a large volume and variety of adult content, we believe it’s key to promote best practices on all our scenes. We all come from different studios, but we share the belief that all performers are entitled to comfort and safety on set.”
The founding members include Aylo, Dorcel, ERIKALUST, Gamma Entertainment, Mile High Media and Ricky’s Room. Aylo owns some of the biggest platforms and porn studios in the industry, including Brazzers, Reality Kings, Digital Playground and more.
In a press release Wednesday, the ASA said its primary mission is “to publish and adhere to a comprehensive Code of Conduct, providing a structured framework for directors, producers, and talent to ensure the safest possible sets and consistent industry best practices.” The ASA’s code of conduct addresses performers’ rights to consent to the types of scenes they’ll shoot, their scene partners including extras, sexual acts, script and creative documents, the length of the shoot day, location, remuneration and conditions, and any other rights involved in their agreement with the studio.
The founding studios say they have signed agreements to adhere to the ASA’s code of conduct, but the ASA “encourages all studios, members or not, to adopt and adhere to these guidelines to foster a safer, more respectful, and more professional adult industry,” the spokesperson said.
“All performers have the right to be treated with professional respect and dignity, free from harassment of any kind,” the code states. “They should be: Able to refuse, at any time, any act, even if previously agreed upon; Able to visually confirm their partner’s STI test status on set before any sexual performance; Provided water, snacks, meals, breaks, and privacy as needed; Provided all necessary sexual health and hygienic materials needed to perform; Paid their agreed-upon rate for the date of production.”
The code also outlines rights and expectations for third-party producers and crew members, including verifying performers’ ages, ensuring an environment “free of harassment of any kind (mental, physical or sexual),” and “never using their influence or access to the studio to pressure performers or promise work.” Agencies and talent agents are also addressed in the code of conduct: “Agencies should represent and protect performers, inform them very clearly of the specific requirements of pornographic performances,” the code states. “They must inform performers of their rights and duties and legitimate expectations, with no expectation of sexual contact with agency staff, reasonably limited contract terms (within industry standard range of 1 year), and no punitive buyouts for performers who choose to leave the agency.”
A need for more autonomy over one’s working conditions spurred the rise of the independent adult content creator economy in the last 10 years, as more performers moved away from studio work—which often dictates workers’ hours, physical location, and ownership rights to their performances, and can be sporadic—to models like webcamming and subscription platforms like OnlyFans. Porn is legal in the U.S. but is still a heavily stigmatized career, and performers have reported that legislation like 2018’s Fight Online Sex Trafficking Act have made their livelihoods more precarious, even when working with studios.
In 2020, as Hollywood reckoned with allegations of abuse and coercion against the most powerful people in the entertainment industry, multiple performers came forward with their own stories of physical and mental abuse on-set. The power dynamic present in mainstream acting careers also exists in porn, with the added stigma of sex work: adult performers, like mainstream entertainment professionals or many other industries, might feel like they risk being ostracized within their industry for speaking out about mistreatment, but they also may feel a risk fueling decades-old anti-porn campaigns and their harmful rhetoric.
Many studios have previously established their own codes of conduct, including Gamma Entertainment-owned Adult Time, which published a guide to “what to expect on an Adult Time set” in 2023, and Kink, which published its shooting protocols, consent documents and checklists in 2019. There are also several talent-focused rights groups, like the Free Speech Coalition, that have operated with performer and crew wellbeing guidelines in place for years.
Michigan Lawmakers Are Attempting to Ban Porn Entirely
The “Anticorruption of Public Morals Act” proposes a total ban on porn in the state, and also targets the existence of trans people online, content like erotic ASMR, and selling VPNs in the state.404 MediaSamantha Cole
“The landscape for adult production has expanded rapidly over the past few years, so it's encouraging to see bigger studios codify industry best practices,” Mike Stabile, director of public policy at the Free Speech Coalition, told 404 Media. Stabile noted that the needs and requirements of productions and performers vary; independent content creators working with other indie creators might not need or have the resources to hire an intimacy coordinator on each shoot, for example, or a small fetish studio that doesn’t engage in fluid exchange might not need to adhere to testing. But “it sets a bar for what performers can and should expect in production, and provides a framework for understanding one's rights on set,” he said.
playlist.megaphone.fm?p=TBIEA2…
“It's incredibly powerful because it isn't just one studio or one group, it's a collection of some of the most influential leaders in adult production,” Stabile said. “While these practices aren't entirely new, by publishing guidelines they're creating a broad system of accountability. Whether or not other studios join and sign-on, I expect we'll see broader adoption of these protocols at all levels.”“I believe strong production standards are the foundation of a safe and respectful and successful industry, and I’ve always believed performers deserve nothing less,” performer Cherie DeVille said in the ASA press release. “It's powerful to see these top studios come together with the shared goal of ensuring performer wellness remains a top priority.”
What to Expect on an Adult Time Set - Adult Time Blog
Learn more about working with us through our "What to Expect on Set" campaign and explore Adult Time's new Performer Center.Blog Admin (Adult Time)
A Washington judge said images taken by Flock cameras are "not exempt from disclosure" in public record requests.#Flock
Judge Rules Flock Surveillance Images Are Public Records That Can Be Requested By Anyone
A judge in Washington has ruled that police images taken by Flock’s AI license plate-scanning cameras are public records that can be requested as part of normal public records requests. The decision highlights the sheer volume of the technology-fueled surveillance state in the United States, and shows that at least in some cases, police cannot withhold the data collected by its surveillance systems.In a ruling last week, Judge Elizabeth Neidzwski ruled that “the Flock images generated by the Flock cameras located in Stanwood and Sedro-Wooley [Washington] are public records under the Washington State Public Records Act,” that they are “not exempt from disclosure,” and that “an agency does not have to possess a record for that record to be subject to the Public Records Act.”
She further found that “Flock camera images are created and used to further a governmental purpose” and that the images on them are public records because they were paid for by taxpayers. Despite this, the records that were requested as part of the case will not be released because the city automatically deleted them after 30 days. Local media in Washington first reported on the case; 404 Media bought Washington State court records to report the specifics of the case in more detail.
A screenshot from the judge's decision
Flock’s automated license plate reader (ALPR) cameras are used in thousands of communities around the United States. They passively take between six and 12 timestamped images of each car that passes by, allowing the company to make a detailed database of where certain cars (and by extension, people) are driving in those communities. 404 Media has reported extensively on Flock, and has highlighted that its cameras have been accessed by the Department of Homeland Security and by local police working with DHS on immigration cases. Last month, cops in Colorado used data from Flock cameras to incorrectly accuse an innocent woman of theft based on her car’s movements.The case came in response to a public records request made by Jose Rodriguez, who in April sought all of the images taken by the city’s Flock cameras between the hours of 5 and 6 p.m. on March 30 (he later narrowed this request to only ask for images taken by a single camera in a half-hour period). The city argued that Rodriguez would have to request them directly from Flock, a private company not subject to public records laws. But Flock’s contracts with cities say that the city owns the images taken on their cameras. The city eventually took Rodriguez to court. In the court proceedings, the city made a series of arguments claiming that Flock images couldn’t be released; the judge’s decision rebuked all of these many arguments.
“I wanted the records to see if they would release them to me, in hopes that if they were public records it would raise awareness to all the communities that have the Flock cameras that they may be public record and could be used by stalkers, or burglars scoping out a house, or other ways someone with bad intentions may use them. My goal was to try getting these cameras taken down by the cities that put them up,” Rodriguez told 404 Media. “In order to show that the records were public records and that they don’t qualify as exempt under the Washington public records act we cited the contract, and I made requests to both cities requesting their exterior normal surveillance camera footage from their City Hall and police station that recorded the streets and parking lots with vehicles driving by and license plates viewable, which is what the Flock images also capture. Both cities provided me with the surveillance videos I requested without issue but denied the Flock images, so my attorney used that to show how they contradict themselves.”
"it is pretty abhorrent that the city tried to make all of these arguments in the first place"
The case highlights the lengths that police departments and cities are willing to go to in order to prevent the release of what they incorrectly perceive to be private information owned by their surveillance vendors (in this case, Flock). Stanwood’s attorneys first argued that the records were Flock’s, not the city’s, which is clearly contradicted in the contract, which states “customer [Stanwood] shall retain whatever legally cognizable right, title, and interest in Customer Generated Data … Flock does not own and shall not sell Customer Generated Data.” The attorneys then argued that images taken by Flock cameras do not become requestable data until it is directly accessed and downloaded by the police on Flock’s customer portal: “the data existing in the cloud system … does not exist anywhere in the City’s files as a record.” The city’s lawyers also argued that Flock footage is police “intelligence information” that should be exempt from public records requests, and that “there are privacy concerns with making ALPR data accessible to the public.”“Honestly, it is pretty abhorrent that the city tried to make all of these arguments in the first place, but it’s great that the court reaffirmed that these are public records,” Beryl Lipton, senior investigative researcher at the Electronic Frontier Foundation, told 404 Media in a phone interview. “So much of the surveillance law enforcement does is facilitated by third party vendors and that information is stored on their external servers. So for the court to start restricting access to the public because law enforcement has started using these types of systems would have been horribly detrimental to the public’s right to know.”
In affidavits filed with the court, police argued that “if the public could access the Flock Safety System by making Public Records Act requests, it would allow nefarious actors the ability to track private persons and undermine the effectiveness of the system.” The judge rejected every single one of these arguments.
Both Lipton and Timothy Hall, Rodriguez’s attorney, said that, to the contrary, Rodriguez’s request actually shows how pervasive mass surveillance systems are in society, and that sharing this information will help communities make better informed decisions about whether they want to use technology like Flock at all.
“We do think there should be redactions for certain privacy reasons, but we absolutely think that as a whole, these should be considered public records,” Lipton said. “This is part of the whole problem: These police departments and these companies are operating under the impression that everything that happens on the street is fair game, and that their systems are not a privacy violation. But then when it comes to the public wanting to know, they say ‘this is a privacy violation,’ and I think that’s them trying to have it both ways.”
Hall said that Rodriguez’s case, reporting by 404 Media, and a recent study by the University of Washington about Flock data being available to immigration enforcement officers, has started a conversation in the state about Flock in general.
“Now because of the Washington State Public Records Act, people can be aware of all the information these cameras are collecting. Now there’s a discussion going on: Do we even want these cameras? Well, they’re collecting way more information than we realized,” Hall told 404 Media in a phone call. “A lot of people are now realizing there’s a ton of information being collected here. This has now opened up a massive discussion which was ultimately the goal.”
A Flock spokesperson told 404 Media that the company believes that the court simply reaffirmed what the law already was. The city of Stanwood did not respond to a request for comment.
Rodriguez said that even after fighting this case, he is not going to get the images that he originally took, because the city automatically deleted it after 30 days, even though he filed his request. He can now file a new one for more recent images, however.
“I won’t be getting the records, even though I win the case (they could also appeal it and continue the case) no matter what I won’t get those records I requested because they no longer exist,” Rodriguez said. “The cities both allowed the records to be automatically deleted after I submitted my records requests and while they decided to have their legal council review my request. So they no longer have the records and can not provide them to me even though they were declared to be public records.”
Leaving the Door Wide Open: Flock Surveillance Systems Expose Washington Data to Immigration Enforcement - Center for Human Rights
Summary Flock Safety automated license plate reader (ALPR) networks have become increasingly common in Washington state.Andrea Marcos (Center for Human Rights)
Enrollment to the CopyrightX – Turin University Affiliate Course Fall 2025-2026 Now Open!
Turin, 12 November 2025 Harvard University Law School CopyrightXTurin University Affiliated Course 2025-2026 Fall Edition CALL FOR APPLICATIONS About CopyrightX CopyrightX is a course on Copyright Law developed by Professor William Fisher III at Harv…#CopyrightX
Stati Uniti e Cina allo scontro globale - Nexa Center for Internet & Society
26 novembre 2025 | RAFFAELE SCIORTINONexa Admin (Nexa Center for Internet & Society)
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Google ha spiato gli utenti con l’IA Gemini?
L'articolo proviene da #StartMag e viene ricondiviso sulla comunità Lemmy @Informatica (Italy e non Italy 😁)
Secondo una causa intentata in California, Google avrebbe attivato di nascosto il suo assistente di IA Gemini su Gmail, Chat e Meet, acquisendo dati privati senza il consenso degli utenti. Intanto, la Commissione Ue sta valutando modifiche al
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Fingerabdrücke und Gesichtsbilder: EU-Staaten uneins über US-Zugriff auf Polizeidaten
netzpolitik.org/2025/fingerabd…
Stati Uniti e Cina allo scontro globale
Le notizie dal Centro Nexa su Internet & Società del Politecnico di Torino su @Etica Digitale (Feddit)
26 novembre 2025 | RAFFAELE SCIORTINO
The post Stati Uniti e Cina allo scontro globale appeared first on Nexa Center for Internet & Society.
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Enrollment to the CopyrightX – Turin University Affiliate Course Fall 2025-2026 Now Open!
Le notizie dal Centro Nexa su Internet & Società del Politecnico di Torino su @Etica Digitale (Feddit)
Turin, 12 November 2025 Harvard University Law School CopyrightXTurin University Affiliated Course 2025-2026 Fall Edition CALL FOR APPLICATIONS About CopyrightX CopyrightX is a course on Copyright Law developed by Professor
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Bruxelles presenta lo Scudo europeo della democrazia
L'articolo proviene da #Euractiv Italia ed è stato ricondiviso sulla comunità Lemmy @Intelligenza Artificiale
La Commissione europea ha presentato mercoledì 12 novembre due iniziative centrali per rafforzare la democrazia nell’Unione: lo Scudo europeo della democrazia (European Democracy Shield), un piano volto a proteggere i
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“Sogni di bronzo” – di Camilla Läckberg
@Giornalismo e disordine informativo
articolo21.org/2025/11/sogni-d…
Un thriller psicologico, adrenalinico, in cui la vendetta è l’unica opzione percorribile che possa, forse, scongiurare la morte certa della protagonista e dei suoi affetti più cari. In libreria dall’11 novembre l’ultimo lavoro di Camilla Läckberg, “Sogni di
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Maison Godot, Ragusa. “Compagnia Godot” di Bisegna e Bonaccorso
@Giornalismo e disordine informativo
articolo21.org/2025/11/maison-…
Maison Godot, Ragusa. “Compagnia Godot” di Bisegna e Bonaccorso. “Sports et Divertissement”, di Erik Satie. Da un’idea del Maestro Pietro Cavalieri. Al pianoforte il Maestro Pietro
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Egitto, al via la più grande fiera d’armi d’Africa: l’Italia tra i principali espositori e sponsor
@Notizie dall'Italia e dal mondo
Dal 1° al 4 dicembre il Cairo ospiterà EDEX 2025, la più grande esposizione di sistemi bellici in Africa e Medio Oriente. Tra i 400 espositori figurano Fincantieri, Leonardo, MBDA ed ELT Group. Roma ed Al Sisi
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La fabbrica della deterrenza. Dentro il piano Usa per un milione di droni
@Notizie dall'Italia e dal mondo
L’Esercito degli Stati Uniti ha annunciato l’intenzione di produrre e acquisire un milione di droni entro i prossimi tre anni, un obiettivo che riflette il cambio di paradigma militare maturato dopo l’esperienza ucraina. Non si tratta solo di quantità, ma di una diversa
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Trump ha scritto una lettera al presidente israeliano per chiedergli di graziare Netanyahu dalle accuse di corruzione - Il Post
https://www.ilpost.it/2025/11/12/lettera-trump-grazia-netanyahu/?utm_source=flipboard&utm_medium=activitypubPubblicato su News @news-ilPost
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#Sicurnauti, da oggi sono disponibili i contenuti sul tema “I principali rischi online” rivolto ai #genitori per comprendere le minacce che si nascondono nel web e favorire un utilizzo consapevole e sicuro del digitale.
Qui il video ▶️ https://www.
Ministero dell'Istruzione
#Sicurnauti, da oggi sono disponibili i contenuti sul tema “I principali rischi online” rivolto ai #genitori per comprendere le minacce che si nascondono nel web e favorire un utilizzo consapevole e sicuro del digitale. Qui il video ▶️ https://www.Telegram
L 'Alchimista Digitale
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